本文選題：微紀(jì)錄片 + 創(chuàng)新　； 參考：《鄭州大學(xué)》2017年碩士論文

【摘要】：智利紀(jì)錄片導(dǎo)演顧茲曼曾說(shuō),一個(gè)國(guó)家沒(méi)有紀(jì)錄片,就像一個(gè)家庭沒(méi)有相冊(cè)。在記錄客觀真實(shí)、傳播文化信仰、表達(dá)自我意識(shí)等層面,紀(jì)錄片有著任何其他類型的影視形式都不可代替的重要價(jià)值�；ヂ�(lián)網(wǎng)高速發(fā)展的今天,新媒體時(shí)代的到來(lái)標(biāo)志著會(huì)有越來(lái)越多新的媒介形式出現(xiàn),微博、微信、微電影等一系列“微”產(chǎn)品的出現(xiàn),證明受眾“微”生活所接受信息的碎片化,高效利用碎片化時(shí)間成為這個(gè)時(shí)代的標(biāo)志。紀(jì)錄片也順應(yīng)潮流出現(xiàn)新的創(chuàng)作樣態(tài)——微紀(jì)錄片順勢(shì)而生。作為紀(jì)錄片的一個(gè)分支,微紀(jì)錄片除了具有紀(jì)錄片的一切屬性外,更以它的“微而小”、“精而美”的獨(dú)特藝術(shù)魅力,在我們的社會(huì)生活中發(fā)揮著越來(lái)越重要的作用。同時(shí),借助新的傳播媒介技術(shù)及平臺(tái),微紀(jì)錄片的傳播影響也越來(lái)越大,因此對(duì)其系統(tǒng)總結(jié)分析就很有必要。論文主要分三章。第一章首先對(duì)微紀(jì)錄片進(jìn)行概述,闡述微紀(jì)錄片產(chǎn)生背景,界定微紀(jì)錄片的概念,并對(duì)微紀(jì)錄片進(jìn)行分類。將當(dāng)下微紀(jì)錄片按照題材的不同分為歷史題材、公益題材和人文題材三大類。第二章主要論述微紀(jì)錄片的藝術(shù)創(chuàng)新,分別從藝術(shù)理念、視聽語(yǔ)言、敘事三個(gè)方面分析微紀(jì)錄片的創(chuàng)新之處。第三章對(duì)微紀(jì)錄片的傳播創(chuàng)新進(jìn)行解讀,分別從傳播內(nèi)容、傳播媒介、傳播效果和傳播價(jià)值四個(gè)方面運(yùn)用傳播學(xué)5w模式分析微紀(jì)錄片中的傳播特色。紀(jì)錄片作為國(guó)家發(fā)展歷程中不可或缺的重要文化宣傳工具一直以來(lái)堅(jiān)持以記錄真實(shí)為原則通過(guò)影像對(duì)歷史重大事件進(jìn)行記錄,我們可以通過(guò)紀(jì)錄片的記錄,通過(guò)口頭歷史和影像歷史了解曾經(jīng)發(fā)生過(guò)的在這個(gè)時(shí)代之前的我們沒(méi)有親眼見到的真實(shí)事件。紀(jì)錄片在傳播美學(xué)、記錄歷史、宣傳精神文化價(jià)值方面具有重要意義,在傳播過(guò)程中的價(jià)值和意義是其他傳播工具所不具備的。微紀(jì)錄片作為紀(jì)錄片的一個(gè)新形態(tài),必然也具有這些功能與價(jià)值。微紀(jì)錄片現(xiàn)階段發(fā)展呈現(xiàn)上升趨勢(shì),相信未來(lái)微紀(jì)錄片的受眾會(huì)越來(lái)越多,受眾范圍也會(huì)越來(lái)越廣,同時(shí),受眾發(fā)揮自身主觀能動(dòng)性,會(huì)帶動(dòng)更多的人參與到微紀(jì)錄片的傳播中去,微紀(jì)錄片未來(lái)的發(fā)展也一定有更大的潛力和空間。
[Abstract]:Chile documentary director Guzman once said that a country without documentaries is like a family without a photo album. At the level of recording objective truth, spreading cultural belief and expressing self-consciousness, documentary film has an irreplaceable important value for any other type of film and television form. With the rapid development of the Internet today, the arrival of the new media era marks the emergence of more and more new media forms, such as Weibo, WeChat, micro-movies, and a series of "micro-" products. It is the symbol of this era to prove that the information received by the audience is fragmented and the time of fragmentation is used efficiently. Documentaries also follow the trend of the emergence of a new creative model-microdocumentaries come into being. As a branch of documentary, microdocumentary plays an increasingly important role in our social life with its unique artistic charm of "tiny and small" and "fine and beautiful". At the same time, with the help of the new media technology and platform, the influence of microdocumentary is more and more great, so it is necessary to summarize and analyze it systematically. The paper is divided into three chapters. The first chapter summarizes the microdocumentaries, explains the background of microdocumentaries, defines the concept of microdocumentaries, and classifies microdocumentaries. According to different themes, micro-documentaries are divided into three categories: historical theme, commonweal theme and humanities theme. The second chapter mainly discusses the art innovation of microdocumentaries, respectively from the artistic concept, audio-visual language, narrative three aspects of micro-documentary innovation. The third chapter interprets the communication innovation of microdocumentaries, and analyzes the communication characteristics of microdocumentaries from four aspects: communication content, media, communication effect and communication value. As an indispensable cultural propaganda tool in the course of national development, documentaries have always adhered to the principle of documenting the truth of history. We can record major historical events through documentaries. Learn through oral and video history what happened before this era we did not see with our own eyes. Documentary film plays an important role in spreading aesthetics, recording history and propagating the value of spiritual culture, and the value and significance in the process of communication are not possessed by other means of communication. As a new form of documentary, microdocumentaries must also have these functions and values. The development of microdocumentaries is on the rise at the present stage. I believe that in the future, the audience of micro-documentaries will be more and more numerous, and the audience will also have a wider and wider range of audiences. Will drive more people to participate in the dissemination of microdocumentaries, the future development of microdocumentaries must also have greater potential and space.
【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J952

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