發(fā)布時(shí)間：2018-05-16 15:40

  本文選題：早期電影 + 早期戲劇��； 參考：《南京藝術(shù)學(xué)院》2013年碩士論文

【摘要】：作為“重構(gòu)電影史”的一個(gè)新視角，地域文化與中國早期電影業(yè)的關(guān)系不容小覷。與上海一江之隔的“中國近代第一城”南通培育出多位重要影人，他們的主要活動貫穿于三、四十年代早期電影史的繁榮時(shí)期，對左翼文化運(yùn)動、“民族表演體系”的設(shè)想、對早期現(xiàn)實(shí)主義電影都有著程度不同的貢獻(xiàn)，為中國早期電影時(shí)期的電影、戲劇事業(yè)帶來了很大的改變和創(chuàng)造，而這與他們的出生地和成長地南通的地域文化有著必然的關(guān)聯(lián)。 本文著眼于對南通影人在中國早期電影時(shí)期的活動考察，以具體影人為個(gè)體、按照自然活動組織，通過此番考察研究出他們之于中國早期電影的作用及貢獻(xiàn)。引言介紹選題的緣起、研究對象，正文共分為五部分，第一章介紹南通的地域特性、近代化沿革、特有的南通文化以及幾位影人早年在南通進(jìn)行的戲劇活動；第二章圍繞南通影人去往上海后進(jìn)行的戲劇活動為主，，以時(shí)間為線索，分為左翼文化運(yùn)動時(shí)期和抗戰(zhàn)時(shí)期兩個(gè)階段；第三章和第四章為本文的主要章節(jié)，分別闡述趙丹、顧而已、朱今明、王塵無、羅及之等人在上世紀(jì)三、四十年代從事的電影活動及意義；第五章結(jié)論部分，總結(jié)南通影人在中國早期電影時(shí)期做出的多方面貢獻(xiàn)。
[Abstract]:As a new angle of view of reconstructing the history of film, the relationship between regional culture and Chinese early film industry should not be underestimated. Nantong, "the first City of Modern China", separated by a river from Shanghai, nurtured a number of important filmmakers whose main activities ran through the prosperous period of film history in the early 1930s and early 1940s. They envisioned the left-wing cultural movement and the "national performance system." All of them have different contributions to the early realistic movies, which have brought great changes and creation to the film and drama cause of the early Chinese film period, which is inevitably related to their birthplace and the regional culture of Nantong, where they grew up. This paper focuses on the activities of Nantong filmmakers in the early period of Chinese films, taking the specific filmmakers as individuals, and according to the organization of natural activities, studies their role and contribution to the early Chinese films through this investigation. The introduction introduces the origin of the topic, the research object, the text is divided into five parts. The first chapter introduces the regional characteristics of Nantong, the evolution of modernization, the unique Nantong culture and the drama activities carried out in Nantong by several filmmakers in the early years. The second chapter focuses on the drama activities carried out by Nantong moviegoers after they have gone to Shanghai, which is divided into two stages: the period of left-wing cultural movement and the period of anti-Japanese war, the third and fourth chapters are the main chapters of this paper, respectively, which elaborate Zhao Dan, Gu, Zhu Jinming, Wang Duwei, Luo and others engaged in film activities and their significance in the 1930s and 1940s. Chapter five concludes with a summary of Nantong filmmakers' contributions to the early film period in China.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J909.2

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 莊安正;;張謇與盧壽聯(lián)所辦中影公司經(jīng)營概略[J];南通大學(xué)學(xué)報(bào)(社會科學(xué)版);2016年01期

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