本文選題：劇情片 + 《上墳》��； 參考：《遼寧大學(xué)》2017年碩士論文

【摘要】：如今,現(xiàn)當(dāng)代文學(xué)作品的影視改編作為一種普遍現(xiàn)象,已是當(dāng)代大眾審美的一個重要趨勢,豐富的文學(xué)作品為影視創(chuàng)作源源不斷地提供著優(yōu)秀題材和思想資源�！渡蠅灐肥且徊縿∏槎唐�,改編自遲子建中篇小說《鴨如花》。故事講述了上世紀(jì)90年代,農(nóng)村老婦徐五婆與年輕逃犯之間的故事。徐五婆獨居,是個給村里人辦喪事的冥婆子。一日,一個殺人越獄的逃犯逃竄到了徐五婆家。起初,二人彼此間處處提防;而后,五婆發(fā)現(xiàn)逃犯并非窮兇極惡之人,他雖失手殺了自己的父親,但如今誠心悔過,逃獄只為給父親上墳。相處的過程中二人相互感化和幫助,最后五婆答應(yīng)幫逃犯給其父上墳,逃犯完成此樁心愿后也如約自首。本片通過講述徐五婆和逃犯之間的故事,描寫了社會底層小人物之間的靈魂救贖,展現(xiàn)出平凡之人身上的不平凡的人性光輝,充滿了人文主義色彩。本文立足于劇情片《上墳》的創(chuàng)作過程,結(jié)合相關(guān)影視理論,從文學(xué)作品的影視改編角度展開重點研究,并從劇本創(chuàng)作、短片拍攝和后期制作三方面對作品進(jìn)行分析和反思。并詳細(xì)論述取材、立意、人物設(shè)置及形象塑造、語言風(fēng)格、場地及布景、演員表演、攝影風(fēng)格、道具運用、后期剪輯、調(diào)色、音樂及音響等各個方面,對《上墳》一片的創(chuàng)作過程作以詳實、客觀的分析,旨在全面解讀作品,總結(jié)創(chuàng)作經(jīng)驗。
[Abstract]:Nowadays, as a universal phenomenon, film and television adaptation of modern and contemporary literary works has become an important trend in the aesthetic appreciation of the contemporary public. Rich literary works provide excellent themes and ideological resources for film and television creation. The Tombs is a short story adapted from the Chi Zijian novella "Duck like Flower". The story tells the 1990 s, the rural old woman Xu Wu-fu and the young fugitive story. Xu Wu lived alone, is a village people run funeral wife. One day, a fugitive escaped from prison escaped to Xu Wu's home. At first, the two men were wary of each other; then the five women discovered that the fugitive was not a ferocious man. Although he had killed his father, he was now truly repentant and escaped only to go to his grave. In the process of mutual influence and help, the last five women promised to help the fugitive to his father's grave, and the fugitive turned himself in after completing this wish. By telling the story between Xu Wu-po and the fugitive, this film describes the salvation of the soul between the small people at the bottom of the society, and shows the extraordinary human brilliance of the ordinary people, which is full of humanism. Based on the creative process of feature film "going to the grave" and combining with the theory of film and television, this paper focuses on the study from the angle of film and television adaptation of literary works, and analyzes and reflects on the works from three aspects: script creation, short film shooting and post production. It also discusses in detail such aspects as material selection, conception, character setting and image creation, language style, venue and setting, actor performance, photography style, props application, late editing, color adjustment, music and sound, etc. This paper makes a detailed and objective analysis of the creation process of a piece in order to comprehensively interpret the works and sum up the creative experience.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J905

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本文編號：1897102