本文選題：類型電影 + 演進　； 參考：《遼寧大學》2013年碩士論文

【摘要】：提起類型電影,人們會很自然的聯想到經典好萊塢時期許多赫赫有名的類型片和電影類型,西部片、愛情片、歌舞片等等。類型電影,作為好萊塢電影尤其是經典好萊塢時期的經典范式,廣受國內外學者的熱切關注。然而上世紀60年代后,美國好萊塢的經典類型電影開始走上了變遷的道路,新舊好萊塢開始更迭。在中國,上世紀70年代末到80年代初,中國內地出現了許多轟動一時的類型片：喜劇片、兒童片、反特片等,這些電影掀起了一時的觀影高潮。然而令人意想不到的是,80年代中后期,傳統(tǒng)類型電影逐漸銷聲匿跡,集體走向了變遷之路。對于曾經在中國電影史上盛極一時的類型片,多數學者將其原因歸咎于第五代導演的“反類型”革命,認為是他們對個性的追求導致了傳統(tǒng)類型片偏離傳統(tǒng)。類型電影的演進還有許多其他原因,類型電影自身缺陷使然,電影生存環(huán)境的變化,電影市場需求的變化,電影觀眾的變化,電影技術的進步和發(fā)展等原因一時間在學術界浮出水面,眾說紛紜。本文主要探討了中國類型電影發(fā)生演進的原因,并指出電視劇的產生、發(fā)展與擴散促使了中國類型電影發(fā)生變化,強調電視劇這一媒介因素是導致電影發(fā)生演進的根本性原因,從本質上解釋了中國類型電影何以演進的根源。本文共分五個部分,第一部分是緒論,簡要介紹了本文的結構,國內外研究概況及研究特色等內容；第二部分作為文章的整體鋪墊,介紹了什么是類型電影,既限定了研究范圍也明確了研究對象,使文章其后的論述有的放矢,同時介紹了中國類型電影在1970年代后和1980年代初的興盛與衰落,從中國類型電影自身缺陷、電影生存環(huán)境的變化、第五代導演的“反類型“革命、中國電影觀眾的變化、技術的進步與發(fā)展等方面做了分析；第三部分和第四部分共同構成本文的核心重點部分,第三部分集中介紹了電視及電視劇的產生與發(fā)展,給電影帶來的沖擊,并強調了類型化電視劇的興盛對類型電影的影響,第四部分從電視劇自身媒介特點出發(fā),通過對電視劇的題材選擇、電視劇與觀眾的日常生活、電視劇與觀眾的使用與滿足、影視創(chuàng)作者角色互換等方面的綜合分析,多角度切入,從而歸納總結出了“電視劇的產生和發(fā)展是導致中國類型電影發(fā)生演進的根本原因”這一論斷,同時從媒介環(huán)境變化的角度出發(fā),對中國類型化電視劇的內容和形式做了詳盡的分析,最終證明了“媒介環(huán)境是媒介發(fā)展的重要因素”這一論點：第五部分結合前四個部分的論述,對中國類型電影和電視劇的未來發(fā)展做了展望,并指出了影視媒介融合的大勢所趨。
[Abstract]:With type films, people will naturally associate the classic Hollywood period with many famous genre films and films, western films, love films, singing and dancing films and so on. Type films, as classic paradigms of Hollywood films, especially the classic Hollywood, are widely concerned by scholars at home and abroad. However, after the 60s of last century, beauty The classic movies of Hollywood in China began to go on the road of change, and the new and old Hollywood began to change. In China, in the late 70s of the last century to the beginning of 80s, there were many types of movies in the mainland of China: comedy, children's film, and anti - film. These films set off a high tide of view. However, it was unsurprisingly, 8 In the mid and late 0s, the traditional type films gradually disappeared, and the collective went to the road of change. Most scholars attributed the reasons to the "anti type" revolution of the fifth generation directors in the history of Chinese film. It was thought that their pursuit of individuality led to the deviation of traditional genre films from traditional films. There are many other reasons for the evolution, and the defects of the type film itself, the changes in the living environment of the film, the change in the demand for the film market, the change of the movie audience, the progress and development of the film technology have come to the surface of the academic circles for a time, and the reasons for the evolution of the Chinese type films are discussed and the electricity is pointed out. The emergence, development and diffusion of the TV play prompted the change of Chinese type films, emphasizing that the media factor is the fundamental cause of the evolution of the film. It explains the origin of the evolution of Chinese type films in essence. This article is divided into five parts. The first part is an introduction, which briefly introduces the structure of this article, at home and abroad. The second part, as an integral part of the article, introduces what type of film is, which defines the scope of the study as well as the object of the study, so that the later exposition of the article is targeted. At the same time, it introduces the prosperity and decline of Chinese type films after 1970s and early 1980s, from China type electricity. The change of the shadow itself, the film's living environment, the "anti type" revolution of the fifth generation of directors, the change of the Chinese movie audience, the progress and development of the technology, the third and the fourth parts constitute the core part of this article, and the third part focuses on the production and development of TV and TV dramas, and the power supply is given. The impact that the shadow brings, and the influence of the flourishing of the typed TV play on the type of film, the fourth part from the media characteristics of the TV play, through the selection of the TV drama subject, the daily life of the TV play and the audience, the use and satisfaction of the TV play and the audience, the exchange of the role of the film creator, and so on. From the point of view of the change of media environment, the paper makes a detailed analysis of the contents and forms of Chinese typed TV dramas, and finally proves that the media environment is the important cause of media development. The fifth part discusses the future development of Chinese type films and TV dramas, and points out the trend of the integration of film and television media.

【學位授予單位】：遼寧大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J905

【參考文獻】

相關期刊論文 前1條

1 汪春蕾;舊好萊塢向新好萊塢的演變[J];當代電影;1988年06期

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本文編號：1895037