本文選題：《美女與野獸》 + 比爾·康頓��； 參考：《電影文學(xué)》2017年21期

【摘要】：《美女與野獸》(2017)改編自迪士尼的"十部白金典藏動(dòng)畫(huà)片"之一,于1991年推出的同名動(dòng)畫(huà)電影。由于動(dòng)畫(huà)版曾經(jīng)是創(chuàng)造入圍奧斯卡最佳影片的奇跡之作,繪本版在世界上廣泛發(fā)行,在"致敬"的思維下,電影版主創(chuàng)并不打算對(duì)原有劇情進(jìn)行尺度太大的改造。真人版電影《美女與野獸》在給觀眾呈現(xiàn)一道娛樂(lè)盛宴時(shí),主要看點(diǎn)在于其在多方面完美融合的多重審美元素。文章從視覺(jué)審美、文化審美、精神審美三方面,分析《美女與野獸》中多重審美元素的融合。
[Abstract]:"Beauty and the Beast" was adapted from one of Disney's "Ten Platinum Collection cartoons" and was released in 1991 as an animated film of the same name. Since the animated version was once a miracle in creating best picture for the Oscars, it is widely distributed around the world, and under the idea of "salutation", the creator of the film version does not intend to reinvent the original plot on too large a scale. When the live-action film Beauty and the Beast presents a feast of entertainment to the audience, the main point is that it has many aesthetic elements which are perfectly integrated in many aspects. This paper analyzes the fusion of many aesthetic elements in Beauty and Beast from three aspects: visual aesthetic, cultural aesthetic and spiritual aesthetic.
【作者單位】： 吉林動(dòng)畫(huà)學(xué)院;
【基金】：吉林省教育廳“十三五”社會(huì)科學(xué)項(xiàng)目“繪本產(chǎn)業(yè)項(xiàng)目多元化融合設(shè)計(jì)與研究”(項(xiàng)目編號(hào):JJKH20170994SK)
【分類(lèi)號(hào)】：J954
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本文編號(hào)：1894923