發(fā)布時(shí)間：2018-05-15 03:38

  本文選題：VR影像 + 發(fā)散性��； 參考：《現(xiàn)代傳播(中國(guó)傳媒大學(xué)學(xué)報(bào))》2017年06期

【摘要】：隨著VR時(shí)代的來臨,影視藝術(shù)與VR技術(shù)的"聯(lián)姻"已使得傳統(tǒng)影視從創(chuàng)作美學(xué)到接受美學(xué)都發(fā)生了天翻地覆的變革。技術(shù)革新往往推動(dòng)藝術(shù)演進(jìn),VR技術(shù)也為傳統(tǒng)影視帶來了機(jī)遇和挑戰(zhàn)。VR影像敘事的創(chuàng)作美學(xué)具有"發(fā)散性"與"聚合性"的藝術(shù)特征;接受美學(xué)具有"自主性"與"自覺性"的藝術(shù)特征。當(dāng)然,VR影像敘事也存在審美局限,因而亟待構(gòu)建優(yōu)化路徑進(jìn)行突圍。
[Abstract]:With the advent of VR era, the "marriage" of film and television art and VR technology has made the traditional film and television from creative aesthetics to reception aesthetics have undergone earth-shaking changes. The innovation of technology often promotes the evolution of art and VR technology also brings opportunities and challenges to the traditional film and television. The creative aesthetics of image narration of VR has the artistic characteristics of "divergence" and "convergence". Receptive aesthetics has the artistic characteristics of "autonomy" and "consciousness". Of course, VR image narrative also has aesthetic limitations, so it is urgent to construct an optimized path to break through.
【作者單位】： 中國(guó)傳媒大學(xué)藝術(shù)學(xué)部藝術(shù)研究院;
【分類號(hào)】：J901
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本文編號(hào)：1890830