本文選題：西部電影 + 鄉(xiāng)土題材　； 參考：《陜西科技大學(xué)》2014年碩士論文

【摘要】：對(duì)于中國(guó)西部電影中鄉(xiāng)土題材影片的創(chuàng)作可以追溯到上世紀(jì)80年代，從《人生》、《野山》、《老井》這幾部改革劇變期的現(xiàn)實(shí)力作，到《黃土地》、《紅高粱》為標(biāo)榜文化血脈的藝術(shù)范本，基于西部鄉(xiāng)土地域得天獨(dú)厚的地域風(fēng)貌和歷史文化背景，再現(xiàn)西部人悲歡情仇，彰顯西部社會(huì)厚重人文底蘊(yùn)的一系列鄉(xiāng)土題材的西部電影贏得了世界的矚目，中國(guó)西部電影品牌的叫響也與鄉(xiāng)土題材的西部電影如影隨形。 依傍黃河、附著黃土的西部社會(huì)是中華農(nóng)業(yè)文明的發(fā)祥源泉，浸潤(rùn)在傳統(tǒng)農(nóng)耕文化和宗法倫理制度中的西部社會(huì)成為中國(guó)最為深沉閉塞的癥結(jié)所在，在20世紀(jì)80年代的中國(guó)社會(huì)經(jīng)歷新舊更替的沖突與巨變之時(shí)，西部農(nóng)村便成為中國(guó)電影人反映改革和建設(shè)的“主戰(zhàn)場(chǎng)”，鄉(xiāng)土題材的西部電影也成為中國(guó)電影工作者們抒發(fā)藝術(shù)情感和文化反思的宣泄窗口，同時(shí)蠻荒貧瘠的西部農(nóng)村也成為改革時(shí)期的中國(guó)社會(huì)的具象縮影，鄉(xiāng)土題材成為這一時(shí)期的時(shí)代主題和現(xiàn)實(shí)焦點(diǎn)，進(jìn)入90年代，時(shí)代變遷為中國(guó)電影事業(yè)帶來(lái)新的沖擊，，隨著城市化、市場(chǎng)化的趨勢(shì)，以鄉(xiāng)土題材創(chuàng)作為主的中國(guó)西部電影也一度走勢(shì)低迷，創(chuàng)作數(shù)量和質(zhì)量日趨沒(méi)落。進(jìn)入新世紀(jì)的鄉(xiāng)土題材西部電影回勢(shì)升溫，鄉(xiāng)土題材的西部電影突破了固化的創(chuàng)作模式，呈現(xiàn)出更加真實(shí)生動(dòng)的農(nóng)村故事，然而西部鄉(xiāng)土題材電影仍然面臨著叫好不叫座的尷尬處境。 本文以上世紀(jì)80年代后涌現(xiàn)出的鄉(xiāng)土題材西部電影為影像參考文本，目的是想從將近三十余年的創(chuàng)作區(qū)間中以縱深的角度來(lái)挖掘西部鄉(xiāng)土題材電影在不同發(fā)展時(shí)期和時(shí)代變革下中的主題演變、敘事闡發(fā)、審美追求以及人物塑造等，從而多方面的探討鄉(xiāng)土題材在西部電影中的發(fā)展歷程和風(fēng)格流變，并探尋西部鄉(xiāng)土題材電影在歷史演進(jìn)過(guò)程中的民族性傳承和劣根性延伸，從文化選擇層面進(jìn)一步探尋其煥發(fā)生命力和影響力的健康發(fā)展蹤跡。
[Abstract]:The creation of local films in western Chinese films can be traced back to the 1980s. From "Life", "Wild Mountain", "Old well", these several realistic works during the period of reform and upheaval, To "the Yellow Land", "Red Sorghum" as the art model of promoting cultural blood, based on the unique regional style and historical and cultural background of the native areas of the western region, the reappearance of the western people's joys and sorrows. The western films with a series of local themes have won the attention of the world, and the name of the Chinese western movie brands is also accompanied by the local theme of the western movies. Along the Yellow River, the western society attached to loess is the auspicious source of Chinese agricultural civilization. The western society, infiltrated in the traditional farming culture and patriarchal ethics system, has become the most profound and closed crux of China. In the 1980s, when Chinese society experienced the conflicts and changes of the old and the new, the western countryside became the "main battlefield" for Chinese filmmakers to reflect the reform and construction. Western films with local themes have also become a cathartic window for Chinese filmmakers to express their artistic feelings and cultural reflections. Meanwhile, the barren western countryside has also become the epitome of the Chinese society during the period of reform. The local theme has become the theme of the era and the focus of reality in this period. In the 1990s, the changes of the times have brought a new impact to the Chinese film industry. With the trend of urbanization and marketization, The western Chinese films, which mainly focus on the local themes, were also in a downturn, with the quantity and quality of creation declining day by day. Entering the new century, the local themes of the western films have warmed up, and the local western films have broken through the solidified creative mode and presented a more realistic and vivid rural story. However, the western country-themed films still face the awkward situation of not winning the acclaim. This article emerged after the 1980s local theme of western movies for image reference text, The purpose is to explore the theme evolution, narrative analysis, aesthetic pursuit and character shaping of the western local films in different development periods and times from the perspective of more than 30 years of creative period. In order to explore the development process and style of the local theme in the western movies in many aspects, and to explore the national heritage and the extension of the bad nature in the historical evolution of the local theme films in the west. From the aspect of cultural choice, the healthy development of its vitality and influence is further explored.
【學(xué)位授予單位】：陜西科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905

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本文編號(hào)：1890825