本文選題：抗戰(zhàn)影視劇 + 日本軍人　； 參考：《鄭州大學(xué)》2014年碩士論文

【摘要】：隨著釣魚島主權(quán)歸屬問題爭(zhēng)論日益升級(jí)以及2013年12月26日日本首相安倍晉三參拜靖國(guó)神社，日本政府一次次公然挑戰(zhàn)歷史史實(shí)和人類良知的行徑引起了我國(guó)國(guó)家政府和普通民眾的強(qiáng)烈譴責(zé)和抗議，中日關(guān)系陷入冰點(diǎn)化。反觀中日邦交，歷史問題永遠(yuǎn)橫亙?cè)趦蓢?guó)之間，抗日戰(zhàn)爭(zhēng)是中國(guó)近現(xiàn)代歷史上最漫長(zhǎng)、最艱苦的一場(chǎng)對(duì)外戰(zhàn)爭(zhēng)，是所有中華兒女心中無法抹去的痛。作為對(duì)抗戰(zhàn)歷史的銀幕書寫，以抗戰(zhàn)為題材的影視劇在中國(guó)人對(duì)于抗戰(zhàn)的歷史記憶中起著獨(dú)特的通道作用。本文借助比較學(xué)、形象學(xué)、影視美學(xué)、傳播學(xué)、心理學(xué)等學(xué)科的相關(guān)理論按照歷史的發(fā)展脈絡(luò)梳理、分析、概括不同時(shí)期戰(zhàn)爭(zhēng)題材影視作品中日本軍人形象塑造的特點(diǎn)，探尋出這些形象背后所隱含的更為復(fù)雜的社會(huì)、文化、價(jià)值觀等內(nèi)容。 近兩年銀幕上過度娛樂化的抗戰(zhàn)劇，在日本軍人形象塑造上，日本“鬼子”智商幾乎為零，看見我們的游擊隊(duì)員就嚇的屁滾尿流舉手投降。如果抗日戰(zhàn)爭(zhēng)的史實(shí)真如電視劇描繪的這般，那我們還需要14年的抗?fàn)巻幔繗v史的事實(shí)告訴我們，日本對(duì)我國(guó)發(fā)動(dòng)的長(zhǎng)達(dá)十四年的侵略戰(zhàn)爭(zhēng)，不僅對(duì)我國(guó)民眾造成了極大的心理創(chuàng)傷，而且對(duì)我國(guó)的政治、經(jīng)濟(jì)、和文化的發(fā)展帶來了難以彌補(bǔ)的損失。這樣的創(chuàng)傷記憶不容戲謔，值得我們永遠(yuǎn)銘記。近年來，隨著日本經(jīng)濟(jì)復(fù)蘇發(fā)展以及仰仗著美國(guó)的支持和縱容，日本實(shí)現(xiàn)大國(guó)夢(mèng)，稱霸的野心一刻都未消逝。如果我們的抗戰(zhàn)影視劇只會(huì)生產(chǎn)出這些偽娛樂化的東西，它是無法幫助人們正確的認(rèn)識(shí)事實(shí)更無法準(zhǔn)確的指導(dǎo)人們的實(shí)踐。影視劇應(yīng)該發(fā)揮引導(dǎo)受眾正確認(rèn)識(shí)日本侵略戰(zhàn)爭(zhēng)的非正義性與殘酷性以及戰(zhàn)爭(zhēng)所帶來的慘痛的代價(jià)。從而告誡人們，歷史不能隨著歲月流逝而淡忘，即便是在和平年代我們也應(yīng)該警鐘長(zhǎng)鳴，時(shí)刻保持警覺。
[Abstract]:As the dispute over sovereignty over the Diaoyu Islands escalates, and Japanese Prime Minister Shinzo Abe visits Yasukuni Shrine on December 26, 2013, The Japanese government's blatant challenge to the historical facts and the conscience of mankind has aroused strong condemnation and protest from the Chinese government and ordinary people, and Sino-Japanese relations have been frozen. On the other hand, the history of Sino-Japanese diplomatic relations is always between the two countries. The War of Resistance against Japan is the longest and most arduous foreign war in the modern history of China, and it is an indelible pain in the hearts of all the Chinese people. As the screen writing of the history of the War of Resistance against Japan, the film and TV drama with the theme of the War of Resistance against Japan plays a unique role in the Chinese historical memory of the War of Resistance against Japan. With the help of comparative studies, image studies, film and television aesthetics, communication studies, psychology and other relevant theories in accordance with the historical development, this paper analyzes and summarizes the characteristics of Japanese soldiers' image shaping in the film and television works of war subjects in different periods. Explore the more complex social, cultural, values and so on behind these images. In the last two years, the Japanese "ghost" intelligence quotient was almost zero in the image of Japanese soldiers, and when they saw our guerrillas, they raised their hands and surrendered. If the historical facts of the War of Resistance against Japan are as depicted by TV dramas, do we still need 14 years of struggle? The facts of history tell us that the war of aggression launched by Japan against our country for 14 years has not only caused great psychological trauma to the people of our country, but also brought irreparable losses to the development of our country's politics, economy, and culture. Such traumatic memories are unplayful and worth remembering forever. In recent years, as Japan's economy recovers and relies on the support and connivance of the United States, Japan's ambition to achieve hegemony has not vanished for a moment. If our War of Resistance movies and TV dramas can only produce these pseudo-entertainment things, it is unable to help people to understand the facts correctly and can not accurately guide people's practice. Movies and TV plays should play a role in guiding the audience to correctly understand the injustice and cruelty of the Japanese war of aggression and the painful cost brought by the war. History should not be forgotten over time, even in times of peace, we should be alert and alert.
【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：G206;J905

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