本文選題：賈樟柯電影 + 城鎮(zhèn)影像�。� 參考：《上海師范大學(xué)》2017年碩士論文

【摘要】：作為第六代導(dǎo)演代表人物的賈樟柯,他的電影作品中的人物都屬于社會(huì)的主流群體,通過紀(jì)實(shí)性的美學(xué)表現(xiàn)手法緊密地將這類群體和中國社會(huì)當(dāng)代性問題聯(lián)系起來。從早期對鄉(xiāng)土情結(jié)的刻畫展現(xiàn),到中后期小人物個(gè)體的命運(yùn)在社會(huì)歷史大變遷中的轉(zhuǎn)變,賈樟柯的電影影像中總是將人物和城鎮(zhèn)交織在一起表現(xiàn)的,人物個(gè)體的“離開”和“回歸”都是圍繞城鎮(zhèn)展開敘事的。本文關(guān)注點(diǎn)就是賈樟柯電影中城鎮(zhèn)影像的視聽元素的訴求和表達(dá),以及人物與城鎮(zhèn)環(huán)境變革的內(nèi)在聯(lián)系,深化導(dǎo)演在影像上表達(dá)的深刻內(nèi)涵,清晰地梳理出小城人物個(gè)體在時(shí)代背景下的生存環(huán)境和精神變遷。本文將從三個(gè)章節(jié)闡釋賈樟柯導(dǎo)演對于城鎮(zhèn)影像元素的構(gòu)建以及小城鎮(zhèn)人物與城鎮(zhèn)空間的關(guān)系。第一部分從視聽語言角度分析導(dǎo)演在影片中對于城鎮(zhèn)影像的紀(jì)實(shí)風(fēng)格呈現(xiàn)和表達(dá),通過對電影語言本體細(xì)節(jié)的剖析,從畫面語言和聲音兩個(gè)角度闡釋導(dǎo)演對人物個(gè)體和城鎮(zhèn)的關(guān)系構(gòu)建。第二部分從三個(gè)方面概括論述導(dǎo)演對于城鎮(zhèn)影像的表現(xiàn)方式。對記憶中的城鎮(zhèn)、現(xiàn)實(shí)世界中的城鎮(zhèn)、超現(xiàn)實(shí)中的城鎮(zhèn)三個(gè)維度的城鎮(zhèn)作出闡述和分析,探索影片中導(dǎo)演將城鎮(zhèn)符號化背后的內(nèi)涵和寓意。第三部分從宏觀角度概括分析人物個(gè)體和城鎮(zhèn)空間的關(guān)系,將這種關(guān)系具體闡釋為人物精神空間與實(shí)體空間的對應(yīng)關(guān)系。城鎮(zhèn)對人物個(gè)體的不斷塑造和影響帶給每一個(gè)小人物沉重的精神苦痛和心理負(fù)擔(dān),通過透視這些問題我們可以用新的視角進(jìn)一步認(rèn)識(shí)劇變中的城鎮(zhèn)和人的關(guān)系。賈樟柯導(dǎo)演一直堅(jiān)持著自己紀(jì)實(shí)主義的表現(xiàn)手法,同時(shí)用自己的鏡頭捕捉當(dāng)代小人物的社會(huì)生活和情感心理,把城鎮(zhèn)這個(gè)空間載體與生活在城鎮(zhèn)中的小人物的關(guān)系進(jìn)行了深刻的探索和思考。在社會(huì)大變革時(shí)期將邊緣群體放置在一個(gè)全新的舞臺(tái)之上,也凝聚著自己高度的社會(huì)責(zé)任感和深切的人文主義關(guān)懷。
[Abstract]:Jia Zhangke, as the representative of the sixth generation director, all the characters in his film works belong to the mainstream groups of society, which are closely connected with the contemporary problems of Chinese society through the documentary aesthetic expression. From the early depiction of the local complex to the transformation of the fate of the individual in the middle and late period in the social and historical changes, Jia Zhangke's film images always interweave the characters with the towns. Both the departure and the return of the characters are narrated around the town. This paper focuses on the appeal and expression of audio-visual elements of urban images in Jia Zhangke's films, as well as the internal relations between characters and urban environmental changes, and deepens the profound connotations expressed by directors in the images. Clearly sort out the small town individual living environment and spiritual changes under the background of the times. This article will explain the construction of the urban image elements and the relationship between the characters of small towns and the urban space from three chapters. The first part analyzes the presentation and expression of the documentary style of the director in the film from the perspective of audio-visual language, through the analysis of the film language Noumenon details. From the perspective of picture language and sound, the author explains the relationship between individual character and town. The second part from three aspects of the director of the general description of the urban image of the performance. This paper expounds and analyzes the three dimensions of towns in memory, in the real world and in the surreal, and explores the connotation and meaning behind the symbolization of towns by the director in the film. The third part generalizes and analyzes the relationship between the individual and the urban space from the macro point of view, and explains the relationship as the corresponding relationship between the spirit space and the entity space. The constant shaping and influence of the individual in the town brings heavy mental pain and psychological burden to each small person. Through the perspective of these problems, we can further understand the relationship between the town and the person in the dramatic change from a new perspective. Director Jia Zhangke has always insisted on his documentary expression, while using his own lens to capture the social life and emotional psychology of contemporary small people. The relationship between the space carrier of town and the small person living in the town is deeply explored and pondered. In the period of great social change, marginal groups are placed on a new stage, and their own high sense of social responsibility and deep humanistic concern are also condensed.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J911

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