本文選題：電視劇《成吉思汗》 + 音樂創(chuàng)作�。� 參考：《內(nèi)蒙古大學(xué)》2017年碩士論文

【摘要】：隨著現(xiàn)代社會經(jīng)濟一體化的發(fā)展與多元文化的交流及民族音樂的融合,蒙古族風(fēng)格的音樂也逐漸在世界音樂的舞臺上占領(lǐng)了一席之地。具有蒙古族特征風(fēng)格的音樂不僅在傳統(tǒng)意義的音樂領(lǐng)域里有重要表現(xiàn),也在越來越多的影視劇配樂等新興音樂領(lǐng)域占有重要地位。電視劇《成吉思汗》不僅僅是在講述一個世界意義帝王的生平故事,更是一部記錄蒙古族歷史發(fā)展的、具有史料意義的電視劇。這部電視劇的成功,打開了蒙古族歷史題材的新視野,開創(chuàng)了電視劇歷史故事的新篇章,進而也使得蒙古族風(fēng)格的音樂越來越被人們所熟知與關(guān)注。對于這樣一部成功的電視劇,它的音樂也自然是功不可沒。張千一在這部電視劇中的音樂創(chuàng)作,成功詮釋了成吉思汗為代表的蒙古草原的人文內(nèi)涵,也細膩地刻畫了成吉思汗的內(nèi)心世界及"人性化"的愛恨情愁。本論文將從三個主要方面,對這部電視劇的音樂進行分析與論述。一是從劇中的蒙古族民間音樂的運用及表現(xiàn)方式進行研究;二是從民族音樂與西方作曲技法相結(jié)合的角度出發(fā),對劇中音樂進行研究;三是將劇中出現(xiàn)的不同地域的"多元素"音樂的創(chuàng)作與融合進行比較研究。試圖探索出張千一先生音樂創(chuàng)作的風(fēng)格特征及創(chuàng)作規(guī)律,進而為民族題材音樂劇的配樂,總結(jié)歸納出一定的規(guī)律性因素,便于今后音樂創(chuàng)作的寶貴經(jīng)驗。
[Abstract]:With the development of the integration of modern society and economy, the exchange of multi-cultures and the fusion of national music, Mongolian music has gradually occupied a place on the stage of world music. Music with Mongolian characteristics not only plays an important role in the traditional music field, but also plays an important role in more and more new music fields such as film and TV play. The TV series "Genghis Khan" is not only a story about the life of a monarch in the world, but also a TV drama with historical significance, which records the historical development of the Mongolian nationality. The success of this TV series opens up a new field of vision of Mongolian historical themes, opens a new chapter in TV drama historical stories, and makes Mongolian style music more and more familiar and concerned. For such a successful TV series, its music is also a natural contribution. Zhang Qianyi's music creation in this TV series successfully interprets the humanistic connotation of Mongolian grassland represented by Genghis Khan, and also depicts the inner world of Genghis Khan and the love and hate sorrow of "humanity". This thesis will analyze and discuss the music of this TV play from three main aspects. The first is to study the application and expression of Mongolian folk music in the play, the second is to study the play music from the angle of the combination of folk music and western composing techniques. The third is to make a comparative study on the creation and fusion of multi-element music in different regions. This paper tries to explore the style and rules of Mr. Zhang Qianyi's music creation, and then sums up some regular factors for the musical music of national theme, which is convenient for the valuable experience of music creation in the future.
【學(xué)位授予單位】：內(nèi)蒙古大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J617.6

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本文編號：1880811