本文選題：藝術(shù)片 + 雅各布森��； 參考：《天府新論》2017年06期

【摘要】：本文運(yùn)用雅各布森詩性功能理論中的"交際六要素"、"雙軸"等概念工具,從辨析藝術(shù)片分類理據(jù)入手,圍繞"創(chuàng)造性",對藝術(shù)片的詩性形式特征及觀眾感知結(jié)構(gòu)進(jìn)行剖析。藝術(shù)片是提高了視聽符號能指可感性的"詩性"訴求電影,觀眾在觀賞過程中的感知結(jié)構(gòu)是獲取視聽符號能指所激發(fā)的新感覺,區(qū)別于主流商業(yè)電影獲取視聽符號背后的所指信息�；诖�,本文又對當(dāng)前觀眾為什么"看不懂"藝術(shù)片的熱點(diǎn)話題進(jìn)行了一定的闡釋。
[Abstract]:By using Jacobson's concept tools of "six elements of communication" and "double axis" in Jacobson's poetic function theory, this paper analyzes the poetic features of art films and the perceptual structure of the audience by analyzing the classification motivation of art films and focusing on "creativity". Art film is a kind of "poetic" movie that improves the signifier of audiovisual sign. The perceptual structure of the audience in the viewing process is to obtain the new feeling stimulated by the signifier of audiovisual sign. Different from mainstream commercial films, get the information behind the audio-visual symbols. Based on this, this paper explains why the audience can't understand the hot topic of art film.
【作者單位】： 四川大學(xué)文學(xué)與新聞學(xué)院;
【分類號】：J951

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本文編號：1867582