本文選題：學(xué)院派 + 新學(xué)院派��； 參考：《西南民族大學(xué)學(xué)報(bào)(人文社科版)》2017年10期

【摘要】：與"學(xué)院派"產(chǎn)生的語(yǔ)境相似但又有著本質(zhì)不同,"新學(xué)院派"的出現(xiàn),同樣與當(dāng)前電影環(huán)境中不加節(jié)制地娛樂化、商業(yè)化傾向有關(guān),只是,和"學(xué)院派"曾經(jīng)高舉"文藝"的旗幟與"商業(yè)"抗衡的初衷不盡相同,"新學(xué)院派"并非只是后人的追評(píng),它是基于當(dāng)前中國(guó)電影國(guó)際化和產(chǎn)業(yè)化的大背景,也是基于一種消費(fèi)主義社會(huì)的文化空間而主動(dòng)提出的一項(xiàng)電影改良策略。在新機(jī)制和新理念的影響下,"新學(xué)院派"導(dǎo)演及其作品必然呈現(xiàn)出諸多新的美學(xué)風(fēng)格,同時(shí),由于"新學(xué)院派"導(dǎo)演同時(shí)兼有"教師"這一多重身份,因而,在這些"新學(xué)院派"導(dǎo)演已然成為備受矚目的中國(guó)電影新人才的同時(shí),也必將為中國(guó)電影的未來(lái)發(fā)展提供更多可能。
[Abstract]:The appearance of "New Academy" is also related to the tendency of entertainment and commercialization in the current film environment, which is similar to the context of "academic School", but also has a different essence, but the appearance of "New academic School" is also related to the tendency of entertainment and commercialization in the current film environment. The original intention of the "academicians" who once held high the banner of "literature and art" and "commerce" was not the same. The "new academic school" was not just a review by later generations. It was based on the background of the internationalization and industrialization of Chinese films. It is also a film improvement strategy based on the cultural space of a consumerism society. Under the influence of the new mechanism and the new idea, the directors and their works of the "New Academy School" inevitably present many new aesthetic styles. At the same time, because the "new academicians" directors have the multiple identity of "teachers" at the same time, therefore, While these "new academicians" directors have become the most attractive new talents in Chinese films, they will certainly provide more possibilities for the future development of Chinese films.
【作者單位】： 上海大學(xué)上海電影學(xué)院;
【分類號(hào)】：J911

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本文編號(hào)：1867425