本文選題：抗戰(zhàn)劇 + 娛樂化��； 參考：《沈陽師范大學(xué)》2014年碩士論文

【摘要】：戰(zhàn)爭劇承載著一個民族、一個國家的歷史記憶。在影視產(chǎn)業(yè)化的背景下，抗戰(zhàn)劇作為一種消費(fèi)符號，在滿足主流意識形態(tài)對民族、國家記憶重構(gòu)中，又讓觀眾獲得了對那段陌生的抗戰(zhàn)歷史有了想象性的滿足。早期抗戰(zhàn)題材的影視劇無論在內(nèi)容方面還是在表達(dá)形式方面都有待于創(chuàng)新。但進(jìn)入新時期以來，有些抗戰(zhàn)劇的“創(chuàng)新”有些矯枉過正，出現(xiàn)了過度娛樂化的現(xiàn)象。娛樂是進(jìn)行審美欣賞的首要目的，也是影視劇應(yīng)該發(fā)揮的功能之一，但過度夸張、搞笑、玩噱頭，將其他類型劇的元素隨意嫁接，甚至歪曲歷史，，就將藝術(shù)娛樂化了�？箲�(zhàn)題材電視劇的娛樂化凸顯很多問題，表現(xiàn)情節(jié)武俠化、人物臉譜化、主題言情化傾向。導(dǎo)致新時期抗戰(zhàn)劇娛樂化的原因是多方面的，有西方后現(xiàn)代主義文化的影響，更重要的是商品經(jīng)濟(jì)文化背景下藝術(shù)活動的功利欲求，還有影視劇的審查制度在起指揮作用，大眾的需求也是一個很重要的推動�？箲�(zhàn)劇的娛樂化將誤導(dǎo)欣賞者對戰(zhàn)爭的認(rèn)識，產(chǎn)生民族認(rèn)同的危機(jī)，模糊了藝術(shù)標(biāo)準(zhǔn)，降低了藝術(shù)含量。要改變這種現(xiàn)狀，就是要從價值觀上加以引導(dǎo)，去除政策主導(dǎo)，在審美制度上嚴(yán)格把關(guān)，提高藝術(shù)準(zhǔn)許門檻，培養(yǎng)藝術(shù)精品意識，在滿足大眾審美需要的前提下，進(jìn)行藝術(shù)創(chuàng)新。
[Abstract]:War drama bears the historical memory of a nation and a country. In the context of film and television industrialization, as a consumption symbol, the anti-Japanese drama, in satisfying the mainstream ideology of the nation, the reconstruction of national memory, let the audience to the strange history of the War of Resistance to the imagination of satisfaction. The early anti-Japanese movies and TV dramas need to be innovated both in content and form of expression. However, in the new period, some of the "innovation" of the War of Resistance dramas overcorrected, and appeared the phenomenon of excessive entertainment. Entertainment is the primary purpose of aesthetic appreciation and one of the functions that movies and TV plays should play, but excessive exaggeration, comedy, gimmicks, the elements of other types of plays are grafted at will, even distorting history, art entertainment. The entertainment of the TV series about the War of Resistance against Japan highlights a lot of problems, such as the chivalrous plot, the face of the characters and the tendency of the theme. The reasons leading to the entertainment of the Anti-Japanese War drama in the new period are various. It has the influence of western postmodernism culture, more importantly, the utilitarian desire of artistic activities under the background of commodity economy and culture, and the censorship system of film and television plays a command role. Public demand is also an important driver. The entertainment of Anti-Japanese War dramas will mislead the appreciators to the understanding of the war, produce the crisis of national identity, obscure the artistic standard and reduce the artistic content. In order to change this situation, we should guide from the values, remove the policy guidance, strictly check the aesthetic system, raise the threshold of artistic permission, cultivate the consciousness of fine art, and meet the aesthetic needs of the masses. Carry on artistic innovation.
【學(xué)位授予單位】：沈陽師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

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