本文選題：徐靜蕾 + 轉(zhuǎn)型　； 參考：《聊城大學(xué)》2017年碩士論文

【摘要】：縱觀中國(guó)電影史,每個(gè)時(shí)代的每個(gè)導(dǎo)演都在不斷改變著,唯一不變的就是他們共同遵循著的一個(gè)原則——?jiǎng)?chuàng)新。自電影出現(xiàn)以來(lái),女性這一形象就頗受爭(zhēng)議。女性主義電影研究者的經(jīng)典觀點(diǎn)認(rèn)為,電影是對(duì)女性這一形象的扭曲。徐靜蕾作為女性電影工作者所取得的成功,對(duì)于中國(guó)女性電影的發(fā)展啟迪是最具影響意義的。她由一個(gè)演員轉(zhuǎn)型為一名電影創(chuàng)作者,在這個(gè)過(guò)程中,她實(shí)現(xiàn)了兩個(gè)層次的轉(zhuǎn)型。第一個(gè)層次是明星形象的轉(zhuǎn)變,即從“演員”到“導(dǎo)演”,由“玉女”到“才女”的轉(zhuǎn)型。她的這一轉(zhuǎn)型,把握了女性話語(yǔ)權(quán),實(shí)現(xiàn)了女性自我覺(jué)醒的過(guò)程。第二個(gè)層次是她電影導(dǎo)演創(chuàng)作風(fēng)格的轉(zhuǎn)變,即敘事結(jié)構(gòu)、敘事模式以及影片定位等等的改變。她對(duì)女性地位的重新定義以及對(duì)電影本體的重新審視,都為女性創(chuàng)作找到了突破口。她的多重轉(zhuǎn)型昭示著女性的電影地位正發(fā)生著根本性變革。徐靜蕾的轉(zhuǎn)型獲得了大眾的認(rèn)可,為許多女性明星的轉(zhuǎn)型樹(shù)立了可供借鑒的范本。究其成功經(jīng)驗(yàn),轉(zhuǎn)型中折射出的女性自覺(jué)是決勝因素。首先,徐靜蕾明星形象的轉(zhuǎn)型為當(dāng)下中國(guó)女性形象的傳播奠定了基礎(chǔ),也為中國(guó)女性掌握電影主動(dòng)權(quán)做了很好的嘗試。此外,她的創(chuàng)作風(fēng)格的轉(zhuǎn)型是徹底的。她改變了傳統(tǒng)的敘事視角,賦予女性以更大的主動(dòng)權(quán);她改變了對(duì)電影的定位,充分注意到電影娛樂(lè)性與思想性相結(jié)合的特點(diǎn)。這些都為女性電影乃至中國(guó)電影的發(fā)展找到了突破口。徐靜蕾影片中對(duì)女性角色的創(chuàng)新定義,以及對(duì)電影本體的正確定位,都使得她成為人們津津樂(lè)道的轉(zhuǎn)型成功者。
[Abstract]:Throughout Chinese film history, every director of every era is constantly changing, the only constant is that they follow a principle-innovation. Since the emergence of the film, the image of women has been controversial. The classic view of feminist film researchers is that film distorts the image of women. Xu Jinglei's success as a female filmmaker is of great significance to the development of Chinese women's films. She was transformed from an actor to a filmmaker, and in the process she achieved two levels of transformation. The first level is the transformation of star image, from "actor" to "director", from "jade girl" to "talented woman". Her transformation grasps the female discourse power and realizes the process of female self-awakening. The second level is the transformation of her film director's creative style, that is, the change of narrative structure, narrative mode and film orientation. Her redefinition of female status and reexamination of film Noumenon have all found a breakthrough for female creation. Her multiple transformation shows that the status of women in the film is undergoing a fundamental change. Xu Jinglei's transformation has been recognized by the public, for many female stars to establish a model for reference. Study its successful experience, the female consciousness reflected in the transition is a decisive factor. First of all, the transformation of Xu Jinglei's star image has laid the foundation for the transmission of Chinese female image, and has also made a good attempt for Chinese women to master the film initiative. In addition, the transformation of her creative style is complete. She changed the traditional narrative perspective and gave women more initiative. She changed the orientation of the film and paid full attention to the characteristics of the combination of entertainment and thought. All these have found a breakthrough for the development of women's films and even Chinese films. Xu Jinglei's innovative definition of female characters and the correct orientation of film Noumenon all make her become a successful person who people love to talk about.
【學(xué)位授予單位】：聊城大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J903

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相關(guān)期刊論文 前2條

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本文編號(hào)：1862947