本文選題：宮崎駿 + 動(dòng)畫(huà)��； 參考：《西南交通大學(xué)》2014年碩士論文

【摘要】：宮崎駿(Hayao Miyazaki)作為日本一位非常著名的動(dòng)畫(huà)導(dǎo)演,所創(chuàng)作出來(lái)的作品足以能夠與迪士尼和夢(mèng)工廠兩大動(dòng)畫(huà)巨頭比肩。他的動(dòng)畫(huà)電影雖然題材各不相同,卻都把對(duì)生命的熱愛(ài)、對(duì)自然的尊重、對(duì)生存的渴望以及人與自然之間的“共生”關(guān)系都融進(jìn)作品中,給世界各國(guó)的影迷們留下了深刻的印象并得到了廣泛的認(rèn)同和高度的評(píng)價(jià),備受業(yè)界和學(xué)術(shù)界關(guān)注。研究宮崎駿動(dòng)畫(huà)“共生”意蘊(yùn)及其視聽(tīng)語(yǔ)言體系,能充實(shí)對(duì)宮崎駿動(dòng)畫(huà)研究的特征構(gòu)建、豐富和細(xì)化動(dòng)畫(huà)視聽(tīng)語(yǔ)言的構(gòu)成模式、解析當(dāng)今社會(huì)的生態(tài)意識(shí),更能給我國(guó)動(dòng)畫(huà)成長(zhǎng)提出可供借鑒的動(dòng)畫(huà)創(chuàng)作規(guī)律和藝術(shù)特色。 本文主要圍繞宮崎駿環(huán)保三部曲：《風(fēng)之谷》、《天空之城》、《幽靈公主》,并結(jié)合其余由宮崎駿導(dǎo)演、編劇并監(jiān)督的作品《龍貓》、《魔女宅急便》、《紅豬》、《千與千尋》、《哈爾的移動(dòng)城堡》、《懸崖上的金魚(yú)公主》等來(lái)進(jìn)行探討分析。以影視視聽(tīng)語(yǔ)言分析手法為主,對(duì)其進(jìn)行了具體的鏡頭語(yǔ)言、色彩語(yǔ)言、聲音語(yǔ)言等方面的分析。 第一章緒論部分主要從研究背景和意義,國(guó)內(nèi)外研究現(xiàn)狀以及宮崎駿動(dòng)畫(huà)“共生”意蘊(yùn)研究所涉及理論學(xué)科進(jìn)行簡(jiǎn)要闡釋。 第二章是宮崎駿藝術(shù)創(chuàng)作的背景簡(jiǎn)介,包括其創(chuàng)作歷程,影響其創(chuàng)作的文化背景以及對(duì)于“共生”意蘊(yùn)的探索之道。 第三章和第四章詳細(xì)分析了宮崎駿動(dòng)畫(huà)的視聽(tīng)語(yǔ)言,包括鏡頭語(yǔ)言、色彩語(yǔ)言以及聲音語(yǔ)言三個(gè)方面的解讀,并詳細(xì)解析了影片的分鏡頭以及每個(gè)鏡頭的畫(huà)面建構(gòu),力圖總結(jié)出宮崎駿動(dòng)畫(huà)在表現(xiàn)“共生”意蘊(yùn)時(shí)鏡頭語(yǔ)言運(yùn)用的規(guī)律和特色。 第五章主要探索了宮崎駿動(dòng)畫(huà)在“共生”主題背后對(duì)人性的批判和反思。
[Abstract]:MiyazakiHayao Hayao Miyazaki, one of Japan's most famous animation directors, has produced enough to match Disney and DreamWorks animation giants. Although his animated films have different themes, they all incorporate love of life, respect for nature, yearning for survival and the "symbiotic" relationship between man and nature. The fans around the world have been impressed and widely recognized and highly appraised, which has attracted the attention of the industry and academia. Studying the meaning of "symbiosis" of MiyazakiHayao animation and its audio-visual language system can enrich the characteristic construction of MiyazakiHayao animation research, enrich and refine the composing mode of animation audio-visual language, and analyze the ecological consciousness of today's society. More can give our country animation growth can be used for reference animation creation law and artistic characteristics. This article revolves around MiyazakiHayao's environmental trilogy: Valley of the Wind, Sky City, Princess Ghost, and the rest directed by MiyazakiHayao. The works of screenwriter and supervisor, such as "the Dragon Cat", "the Warcraft House", "Red Pig", "thousands and thousand fathom >", "the moving Castle of Hal", "Princess goldfish on the Cliff", etc., are discussed and analyzed. This paper mainly analyzes the visual and audio language of film and television, and analyzes its lens language, color language, sound language and so on. The first chapter is about the background and significance of the research, the current research situation at home and abroad and the research on the implication of MiyazakiHayao animation "symbiosis". The second chapter is a brief introduction of MiyazakiHayao's artistic creation, including his creative process, the cultural background that influences his creation and the exploration of the meaning of "symbiosis". The third and fourth chapters analyze the Audio-visual language of MiyazakiHayao animation in detail, including the interpretation of lens language, color language and sound language, and analyze the sub-lens of the film and the picture construction of each lens in detail. This paper tries to sum up the law and characteristics of the use of lens language in the expression of symbiosis in MiyazakiHayao animation. The fifth chapter explores the criticism and reflection on human nature by MiyazakiHayao animation behind the theme of symbiosis.
【學(xué)位授予單位】：西南交通大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J954

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 游智皓;宮崎駿奇幻世界初旅[J];北京電影學(xué)院學(xué)報(bào);2003年03期

2 劉昊博;;阿巴斯電影觀和長(zhǎng)鏡頭美學(xué)[J];電影評(píng)介;2007年05期

3 楊月枝;劉燁;;從宮崎峻的動(dòng)畫(huà)片看日本人的自然觀[J];電影評(píng)介;2007年19期

，

本文編號(hào)：1862719