本文選題：湘西影視劇 + 民俗文化��； 參考：《山西師范大學(xué)》2014年碩士論文

【摘要】：湘西位于湖南的西北部，擁有三十余個(gè)少數(shù)民族，民風(fēng)淳樸；宜人的氣候條件，使得那里的物產(chǎn)豐富。湘西遠(yuǎn)離了繁華都市的喧囂，當(dāng)?shù)厝嗣駪阎鴮?duì)生命的熱愛(ài)進(jìn)行日常的勞作與生產(chǎn)，在此過(guò)程中衍生出了獨(dú)有的民俗文化。其自身的文化特質(zhì)中保留著的古樸和神秘，，驅(qū)使著越來(lái)越多的人開(kāi)始了對(duì)它的探尋。湘西的民俗文化，是在歷史的延續(xù)過(guò)程中產(chǎn)生的不可替代的存在形態(tài)，主要體現(xiàn)在當(dāng)?shù)氐娘L(fēng)土人情方面，比如說(shuō)建筑、飲食、婚喪嫁娶禮節(jié)等，滲透到當(dāng)?shù)厝松畹母鱾�(gè)角落，湘西的民俗文化與其他地區(qū)的文化也因此有了最本質(zhì)的區(qū)別。正是因?yàn)閷?duì)湘西元素的趨之若鶩，湘西影視劇在今時(shí)今日才能展現(xiàn)出自己全新的風(fēng)貌，受到廣大觀眾的喜愛(ài)，并成為一種獨(dú)特的文化現(xiàn)象。 本文以湘西影視劇中的民俗文化為研究的主要對(duì)象，一方面在確定湘西影視劇含義的基礎(chǔ)上對(duì)主要的題材類型進(jìn)行劃分，另一方面闡釋了湘西民俗文化方面的特征與影響的表達(dá)方式。本論文主要分四大部分展開(kāi)論述: 一、緒論。講述研究的緣起，并對(duì)研究的內(nèi)容與方法進(jìn)行大致的敘述。 二、梳理現(xiàn)當(dāng)代湘西影視劇的發(fā)展脈絡(luò)，并按照時(shí)間和類別進(jìn)行劃分，力求對(duì)湘西影視劇產(chǎn)生較為清楚且準(zhǔn)確的認(rèn)識(shí)。 三、分析了湘西影視劇中湘西民俗的具體呈現(xiàn)內(nèi)容，著重從畫面、人物、敘事、湘西影視劇四個(gè)角度展開(kāi)，將湘西民俗的鏡頭表達(dá)從視覺(jué)、聽(tīng)覺(jué)、情感、人文等多維度進(jìn)行了闡述。 四、將呈現(xiàn)在熒屏和銀幕上的湘西民俗文化所產(chǎn)生的藝術(shù)作用進(jìn)行解釋，并敘述民俗文化呈現(xiàn)方式的重要意義。
[Abstract]:Xiangxi is located in the northwest of Hunan Province, with more than 30 ethnic minorities, simple folk style and pleasant climate conditions, which make it rich in products. Xiangxi far from the bustling bustle of the city, the local people with the love of life to carry out daily work and production, in this process derived a unique folk culture. The simplicity and mystery of its own cultural characteristics drive more and more people to begin to explore it. The folk culture in Xiangxi is an irreplaceable form of existence produced in the course of the continuation of history. It is mainly reflected in the local customs and customs, such as architecture, diet, marriage and funeral etiquette, and so on, which permeate into every corner of local life. Western Hunan folk culture and other areas of culture is therefore the most essential difference. It is because of the elements of Xiangxi, Xiangxi film and television drama can now show their new style, by the majority of the audience love, and become a unique cultural phenomenon. This paper takes the folk culture in Xiangxi film and TV drama as the main object of study. On the one hand, on the basis of determining the meaning of Xiangxi film and television drama, it divides the main theme types. On the other hand, it explains the characteristics of western Hunan folk culture and the expression of its influence. This thesis is divided into four parts: First, introduction. Narrate the origin of the study, and the content and methods of the study are described roughly. Second, combing the development of modern and contemporary Xiangxi film and television drama, and according to the time and category of division, trying to produce a clearer and more accurate understanding of Xiangxi film and television drama. Third, it analyzes the specific content of Xiangxi folk customs in Xiangxi film and television drama, and focuses on the four angles of screen, character, narrative, and Xiangxi film and television drama. The lens of Xiangxi folk custom is expressed from the visual, auditory and emotional aspects. Humanities and other aspects of the elaboration. Fourth, it explains the artistic function of Xiangxi folklore culture on screen and screen, and narrates the important significance of the way of folk culture presentation.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905

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