本文選題：藍(lán)天工作室 + 動(dòng)畫電影　； 參考：《曲阜師范大學(xué)》2014年碩士論文

【摘要】：第86屆奧斯卡金像獎(jiǎng)?lì)C獎(jiǎng)典禮于北京時(shí)間2014年3月3日上午正式落下帷幕。美國(guó)的動(dòng)畫電影《冰雪奇緣》獲得了本屆奧斯卡最佳動(dòng)畫電影大獎(jiǎng)。在全球化的文化語(yǔ)境下，中國(guó)動(dòng)畫電影創(chuàng)作者應(yīng)學(xué)習(xí)世界動(dòng)畫強(qiáng)國(guó)的研究經(jīng)驗(yàn)，將對(duì)中國(guó)的動(dòng)畫產(chǎn)業(yè)的發(fā)展具有很大的啟發(fā)意義。在世界范圍內(nèi)，不僅是迪斯尼、夢(mèng)工廠、吉卜力等這樣的大牌動(dòng)畫工作室持久輝煌，往往書寫不俗的票房奇跡，一些并不知名的動(dòng)畫工作室在過(guò)去的十年間也給人們帶來(lái)了意外的驚喜。藍(lán)天工作室就是這樣一個(gè)例子。成立于1986年的藍(lán)天工作室，，以一部《冰河世紀(jì)》享譽(yù)全球，之后創(chuàng)作的《里約大冒險(xiǎn)》等幾部動(dòng)畫電影個(gè)個(gè)表現(xiàn)不俗，均取得了令世人刮目的票房佳績(jī)。 本論文以藍(lán)天工作室已上映的八部動(dòng)畫電影作品為研究對(duì)象，對(duì)其進(jìn)行全面的梳理和分析，試圖通過(guò)對(duì)現(xiàn)有的資料以及本人研究整理的觀點(diǎn)進(jìn)行整合，以期給予后來(lái)者可供參考的資料來(lái)源。在研究方法上，本人采用了文獻(xiàn)分析和案例分析這兩種方法。創(chuàng)新點(diǎn)在于，在八部動(dòng)畫電影為目標(biāo)的基礎(chǔ)上，對(duì)藍(lán)天工作室進(jìn)行整體的分析歸納總結(jié)，做一次系統(tǒng)的梳理和研究。文章重點(diǎn)分析其動(dòng)畫影片的特點(diǎn)，以及工作室的成功經(jīng)驗(yàn)以供中國(guó)從業(yè)者借鑒，同時(shí)希望可以給后來(lái)研究者帶來(lái)一些資料方面的參考。本文從以下幾個(gè)方面對(duì)藍(lán)天工作室的動(dòng)畫電影進(jìn)行了研究：第一部分是緒論，對(duì)研究背景、選題意義、研究現(xiàn)狀和方法進(jìn)行闡述。第二部分對(duì)藍(lán)天工作室的發(fā)展歷程、主要導(dǎo)演和上映的全部作品進(jìn)行簡(jiǎn)單概述和總結(jié)。第三部分主要對(duì)藍(lán)天工作室動(dòng)畫電影進(jìn)行故事分析，分別從主題風(fēng)格、各類角色以及敘事方式和敘事特征三方面進(jìn)行論述。第四部分是對(duì)藍(lán)天工作室動(dòng)畫電影進(jìn)行視聽語(yǔ)言方面的分析，圍繞鏡頭語(yǔ)言、色彩和聲音三個(gè)方面分析歸納這八部影片，鏡頭語(yǔ)言里面選取了靜態(tài)構(gòu)圖和動(dòng)態(tài)的經(jīng)典鏡頭進(jìn)行分析，聲音里面則從音響、音樂和配音三個(gè)方面進(jìn)行闡述。第五部分為本文的創(chuàng)新部分，即對(duì)藍(lán)天工作室的動(dòng)畫電影研究分析之后，在此基礎(chǔ)上對(duì)藍(lán)天工作室創(chuàng)作動(dòng)畫電影的特征進(jìn)行歸納和總結(jié)，分別從四個(gè)方面得出了藍(lán)天工作室取得成功的經(jīng)驗(yàn)：創(chuàng)作態(tài)度、先進(jìn)技術(shù)、人才培養(yǎng)和商業(yè)化的運(yùn)作思維。第六部分，根據(jù)藍(lán)天工作室創(chuàng)作動(dòng)畫電影成功的經(jīng)驗(yàn)，對(duì)中國(guó)的動(dòng)畫電影從業(yè)者提出了幾點(diǎn)啟示，希望國(guó)內(nèi)的從業(yè)者能借鑒藍(lán)天工作室的成功經(jīng)驗(yàn)，在未來(lái)的動(dòng)畫電影發(fā)展道路上越走越好。
[Abstract]:The 86 th Academy Award ceremony officially ended on the morning of March 3, 2014. American animated film Frozen won the Academy Award for Best Animation Film. In the cultural context of globalization, Chinese animation film creators should learn from the research experience of the world animation power, which will be of great enlightening significance to the development of China's animation industry. Around the world, it is not just Disney, DreamWorks, Ghibli, and other big-name animation studios that have a lasting splendor, often writing box-office marvels. Some unknown animation studios have surprised people over the past decade. The Blue Sky Studio is one such example. Founded in 1986, Blue Sky Studio is famous all over the world for its "Ice Age". After that, several animated films, such as Rio Adventure, have all performed well, and all of them have made remarkable achievements at the box office. In this paper, eight animated films that have been shown in Blue Sky Studio have been taken as the research object, which is comprehensively combed and analyzed, and attempts to integrate the existing materials and the viewpoints of my research and collation. With a view to providing a later source of information for reference. In the research method, I used the literature analysis and case analysis of these two methods. The innovation lies in, on the basis of eight animated films as the goal, the overall analysis and summary of the blue sky studio, a systematic combing and research. This paper focuses on the characteristics of its animated films and the successful experience of the studio for reference by Chinese practitioners. At the same time, the author hopes to bring some references to the later researchers. This article has carried on the research from the following several aspects to the blue sky studio animation movie: the first part is the introduction, to the research background, the selected topic significance, the research present situation and the method carries on the elaboration. In the second part, the development of Blue Sky Studio, the main director and all the works are summarized and summarized. The third part mainly analyzes the story of the animated film of Blue Sky Studio, respectively from the theme style, various roles, narrative methods and narrative characteristics of three aspects. The fourth part is the analysis of the audio-visual language of the animated film in Blue Sky Studio. The eight films are analyzed and summarized around three aspects: lens language, color and sound. In lens language, static composition and dynamic classical lens are selected for analysis, while sound is explained from three aspects: sound, music and dubbing. The fifth part is the innovation part of this paper, that is, after the research and analysis of the animation film of the Blue Sky Studio, on this basis, the characteristics of the animation film created by the Blue Sky Studio are summarized and summarized. The successful experiences of Blue Sky Studio are obtained from four aspects: creative attitude, advanced technology, talent training and commercial operational thinking. In the sixth part, according to the successful experience of creating animation film in Blue Sky Studio, the author puts forward some enlightenments to Chinese animation film practitioners, hoping that domestic practitioners can learn from the successful experience of Blue Sky Studio. In the future animation film development on the road to better and better.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J954

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