本文選題：門神 + 本我　； 參考：《江西師范大學(xué)》2014年碩士論文

【摘要】：如今，是一個(gè)多元文化融合共生的時(shí)代，它需要我們更為敏銳的觀察力、更廣泛的視野。作為這時(shí)代中的設(shè)計(jì)者，科學(xué)的造型方式對(duì)藝術(shù)創(chuàng)作固然重要，但我們也不能丟掉作為平常人應(yīng)有觀察世界的眼睛，以及自身的民族特色。 本文從中國傳統(tǒng)門神的“本我”觀念入手，由此尋找出可利用在動(dòng)畫角色中的設(shè)計(jì)思維和造型語言。首先，探究門神由“本我”觀念體現(xiàn)出的造型思維特征，并將其作為一種傳統(tǒng)文化藝術(shù)的設(shè)計(jì)資源，尋找出兩者相互適應(yīng)的內(nèi)在聯(lián)系部分，對(duì)現(xiàn)代動(dòng)畫設(shè)計(jì)利用的可能性進(jìn)行分析。其次，探尋現(xiàn)代動(dòng)畫造型對(duì)門神“本我”觀念中“形與色”的運(yùn)用，結(jié)合動(dòng)畫的形式表現(xiàn)，說明是如何從角色設(shè)計(jì)中傳達(dá)出獨(dú)特的象征意味和審美趣味。最后，，基于現(xiàn)代審美語境下，研究門神中“本我”的造型觀念與現(xiàn)代觀眾的審美聯(lián)系，如何注入當(dāng)下的審美精神進(jìn)行創(chuàng)新，將古老傳統(tǒng)的門神藝術(shù)與現(xiàn)代先進(jìn)的數(shù)字技術(shù)進(jìn)行融合和嫁接，從而創(chuàng)造新的文化身份和品格。特別是當(dāng)下審美趣味變化了的觀眾，探討如何把握他們的心理需求，在繼承的基礎(chǔ)上創(chuàng)新。
[Abstract]:Nowadays, it is an era of multiculturalism and symbiosis. It requires a sharper observation and a wider vision. As a designer of this era, scientific modeling is important for artistic creation, but we should not lose our eyes of observing the world and our own national characteristics as ordinary people. This paper starts with the traditional "ego" concept of Chinese door gods, and finds out the design thinking and modeling language that can be used in animation characters. First of all, it explores the thinking characteristics of the door god embodied by the "ego" concept, and regards it as a design resource of traditional culture and art, and finds out the internal connection part of the two adapting to each other. The possibility of using modern animation design is analyzed. Secondly, it explores the application of modern animation modeling to "form and color" in the concept of "ego" of the gate god, and explains how to convey the unique symbolic meaning and aesthetic interest from the character design in combination with the form expression of animation. Finally, based on the modern aesthetic context, this paper studies the relationship between the "ego" in the door god and the aesthetics of the modern audience, and how to inject the present aesthetic spirit into the innovation. The ancient traditional art of door god and modern advanced digital technology are fused and grafted to create new cultural identity and character. Especially for the audience who have changed their aesthetic taste, how to grasp their psychological needs and innovate on the basis of inheritance.
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J954

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本文編號(hào)：1838609