本文選題：華語電影 + 奇觀　； 參考：《四川師范大學(xué)》2014年碩士論文

【摘要】：道格拉斯·凱爾納曾指出，“長期以來，電影都是奇觀的滋生地”。電影的出現(xiàn)初衷是為了給觀影人士帶來一種新奇的視覺體驗(yàn)和陌生化的物質(zhì)奇觀，正是電影的這種特殊的媒介屬性，決定了它與視覺奇觀的親緣關(guān)系。華語電影的奇觀現(xiàn)象背后有著中國獨(dú)特的藝術(shù)學(xué)術(shù)背景以及深層次的文化因素，它是中國本土華語電影從閉關(guān)鎖國的樣板戲走向電影產(chǎn)業(yè)化和國際化過程中的必然產(chǎn)物。 本文分“奇觀”的相關(guān)概念、華語電影中的“奇觀”元素、華語電影“奇觀”的文化根源、華語電影“奇觀”的現(xiàn)狀和出路四個(gè)章節(jié)對華語電影中的奇觀呈現(xiàn)作探討。第二章承接作為緒論部分的第一章對“奇觀”的相關(guān)概念做了分析和陳述，具體包括奇觀的定義、雷同概念的區(qū)分以及奇觀的類別；第三章將東方女人、東方民俗和東方武俠這三類極具代表性的元素對華語電影中“奇觀元素”的構(gòu)建和流變進(jìn)行了具體的剖析；第四章從哲學(xué)的高度和文化根源的角度出發(fā)，，分析了在當(dāng)代社會(huì)中電影“奇觀”之所以稱為大勢的根本原因；第五章作為結(jié)語部分，總結(jié)了電影“奇觀”作為一種華語電影中獨(dú)特的文化現(xiàn)象，它如何才能弘揚(yáng)民族文化精神，助力華語電影在世界影壇揚(yáng)名。
[Abstract]:Douglas Kelner once noted that "movies have long been a breeding ground for wonders." The original intention of the film is to bring a novel visual experience and strange material spectacle to the people watching the film. It is this special medium attribute of the film that determines the relationship between the film and the visual spectacle. The spectacle of Chinese film has its unique artistic and academic background and deep cultural factors. It is the inevitable outcome of the process of Chinese native Chinese film from the closed country model to the industrialization and internationalization of the film. This article is divided into four chapters: related concepts of "wonders", elements of "wonders" in Chinese movies, cultural roots of "wonders" in Chinese films, and the present situation and outlet of "wonders" in Chinese films. The second chapter, as an introduction, makes an analysis and statement on the related concepts of "Wonder", including the definition of "Wonder", the distinction of the same concept and the categories of Wonders. The oriental folklore and the oriental martial arts are three kinds of representative elements to analyze the construction and evolution of the "Wonder elements" in the Chinese film. Chapter four sets out from the perspective of philosophy and cultural origin. This paper analyzes the basic reasons why the film "Wonder" is called "the trend" in contemporary society, the fifth chapter, as the conclusion, summarizes the film "Wonder" as a unique cultural phenomenon in Chinese movies. How can it carry forward the spirit of national culture and help Chinese films to become famous in the world.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905

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相關(guān)期刊論文 前4條

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本文編號(hào)：1837710