本文選題：青春電影 + 電影《左耳》　； 參考：《電影文學(xué)》2017年09期

【摘要】：青春電影在我國電影市場中占有相當(dāng)大的比重,近幾年已經(jīng)發(fā)展出多種類型,青春校園、青春懷舊、殘酷青春、虛幻青春等類型片充斥銀幕。在愈加濃厚的商業(yè)電影文化影響下,現(xiàn)階段的青春電影并不追求現(xiàn)實主義,故事情節(jié)通常會表現(xiàn)出脫離現(xiàn)實的理想化和奇觀化傾向。改編自饒雪漫的青春疼痛小說《左耳》的同名電影,表現(xiàn)了關(guān)于青春的殘酷和疼痛一面,影片架空于現(xiàn)實,脫離了大眾青春記憶的范疇,對"青春"存在過度解讀的現(xiàn)象。
[Abstract]:Youth film occupies a large proportion in the film market of our country. In recent years, many kinds of films have been developed, such as youth campus, youth nostalgia, cruel youth, illusory youth and so on. Under the influence of more and more commercial film culture, the current youth movies do not pursue realism, and the story plot usually shows a tendency of idealization and wonder out of reality. The film of the same name, adapted from Jao Xuemian's novel "left ear", shows the cruel and painful side of youth. The film is aloof from reality and deviates from the category of popular youth memory, and there is a phenomenon of over-interpretation of "youth".
【作者單位】： 江西科技師范大學(xué);
【分類號】：J905
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本文編號：1837646