本文選題：王朝柱 + 影視劇本�。� 參考：《西南大學(xué)》2013年碩士論文

【摘要】：近年來(lái),重大革命歷史題材影視劇一直是影視劇創(chuàng)作的焦點(diǎn)區(qū)域,王朝柱則當(dāng)屬焦點(diǎn)區(qū)域中的熱點(diǎn)人物。本文以王朝柱的影視劇本創(chuàng)作這一典型個(gè)案為切入點(diǎn),分析了王朝柱影視劇作的藝術(shù)特色和主要特征,同時(shí)對(duì)重大革命歷史題材影視創(chuàng)作歷程進(jìn)行了簡(jiǎn)要回溯與清理,以期為推動(dòng)重大革命歷史題材影視劇創(chuàng)作提供可資借鑒的參考。 在緒論部分,主要論述了本文的研究背景、研究意義、研究方法和研究思路,對(duì)“為什么要做”與“怎么做”等基礎(chǔ)性問(wèn)題提出總體路向。 在此基礎(chǔ)上,本文對(duì)研究對(duì)象與生成語(yǔ)境進(jìn)行了探討,較為詳細(xì)地介紹了王朝柱的生平及影視劇作,同時(shí)回顧了近30多年來(lái)重大革命歷史題材影視劇,特別是重大革命歷史題材電影的創(chuàng)作歷程,從影視史的角度分析了王朝柱影視劇作乃至于重大革命歷史題材影視劇創(chuàng)作的主要推動(dòng)力。 在正文的第三部分,論述了王朝柱影視劇作的取材傾向和基本特征：主要表現(xiàn)為以下幾個(gè)方面：立足于史料檔案,但又不拘泥于基本史實(shí)；著眼于領(lǐng)袖人物,立體化描寫偉人情懷；專注于革命歷史事件,謀篇布局細(xì)致考究；主流紅色的劇作基調(diào),彰顯英雄主義情結(jié)；話語(yǔ)體系的史詩(shī)品格,著力營(yíng)造敘事情境。 隨后,本文對(duì)王朝柱影視劇作進(jìn)行了基本評(píng)價(jià),并分析了王朝柱影視劇作的創(chuàng)作發(fā)展趨勢(shì)。具體為：主流意識(shí)形態(tài)的影像化表達(dá)；“大歷史”與“小清新”；審美疲勞與演繹更新。 在結(jié)語(yǔ)部分,本文用“正”字對(duì)王朝柱的影視劇本創(chuàng)作進(jìn)行了概括,并希望有更多的影視劇作者堅(jiān)持藝術(shù)理想,推出藝術(shù)精品,在文化繁榮、民族復(fù)興的歷史進(jìn)程中,凝聚人心,提振精神,為經(jīng)濟(jì)社會(huì)發(fā)展提供更多的正能量。
[Abstract]:In recent years, major revolutionary historical films and TV dramas have always been the focus area of film and television drama creation, and Wang Chaozhu is a hot figure in the focus area. Taking Wang Chaozhu's screenplay as a typical case, this paper analyzes the artistic characteristics and main features of Wang Chaozhu's film and television plays, and briefly traces and clears the course of film and television creation of major revolutionary historical themes. In order to promote the history of major revolutionary themes film and television drama creation to provide reference. In the introduction part, this paper mainly discusses the research background, research significance, research methods and research ideas, and puts forward the general direction of basic problems such as "why to do" and "how to do". On this basis, this paper probes into the object of study and the context of generation, introduces Wang Chaozhu's life and film and television plays in detail, and reviews the major revolutionary historical films and TV dramas in the past 30 years. In particular, the creative process of major revolutionary historical films, from the perspective of film and television history, analyzes the main driving force of Wang Chaozhu's film and television drama and even the major revolutionary historical theme film and television drama creation. In the third part of the text, the author discusses the selection tendency and basic characteristics of Wang Chaozhu's film and television plays: mainly in the following aspects: based on historical records, but not stuck to the basic historical facts; focusing on the leaders, Three-dimensional description of great feelings; focus on revolutionary historical events, detailed layout; mainstream red play tone, show heroism complex; the epic character of the discourse system, focus on the creation of narrative situation. Then, this paper makes a basic evaluation of Wang Chaozhu's film and television dramas, and analyzes the developing trend of Wang Chaozhu's film and television plays. It includes: image expression of mainstream ideology; Great History and small freshness; Aesthetic fatigue and deductive Renewal. In the conclusion part, this paper generalizes Wang Chaozhu's screenplay writing with the word "Zheng", and hopes that more movie and TV drama writers will adhere to the artistic ideal and introduce fine works of art in the historical process of cultural prosperity and national rejuvenation. Rally people, boost the spirit, for economic and social development to provide more positive energy.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J905

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