本文選題：新世紀(jì) + 華語地區(qū)��； 參考：《陜西科技大學(xué)》2014年碩士論文

【摘要】：體育電影，將體育運(yùn)動與社會生活的密切關(guān)系攝制成影像，負(fù)載著人類對生命價值和意義的探究。在體育電影里，女性這一特殊群體走出傳統(tǒng)觀念構(gòu)建的象牙塔，用她們的身體和精神演繹出一曲昂揚(yáng)向上的贊歌。歷經(jīng)百年發(fā)展，體育電影已具備類型電影的典型特征，主題元素、敘事元素、人物元素、技術(shù)元素、環(huán)境元素、視聽元素等類型元素已基本穩(wěn)定。作為人物元素中的重要組成部分，女性形象塑造的成功與否對體育電影的創(chuàng)作質(zhì)量產(chǎn)生著重要影響。同時，對女性形象的書寫也進(jìn)一步反映著當(dāng)代社會的文化特征和人們的價值觀。 進(jìn)入新世紀(jì)，社會思潮異常澎湃，外來文化對中國傳統(tǒng)文化產(chǎn)生了前所未有的沖擊，人們的意識形態(tài)產(chǎn)生遽變。體育電影對女性的書寫亦呈現(xiàn)出新的特征。 本文對新世紀(jì)華語體育電影進(jìn)行詳實(shí)，有序的梳理，初步總結(jié)出女性形象塑造呈現(xiàn)出如下特征規(guī)律： 第一、“身體敘事”趨勢愈加顯著，電影對女性運(yùn)動員身體美感的凸顯更直接、徹底、合法化。電影通過關(guān)注女性運(yùn)動員的健康形象與優(yōu)美體態(tài)。選取運(yùn)動場域與運(yùn)動場外的敘事語境展開表現(xiàn)，構(gòu)建出了一幅幅具有運(yùn)動活力與生命激情的群美圖譜。這個過程中，女性作為運(yùn)動員，在完成體育動作時所展現(xiàn)出的運(yùn)動美感，被充分記錄和放大。女性本體所具備的優(yōu)美體態(tài)、姣好面容亦被清晰、完整地呈現(xiàn)。這與2000年以前，華語電影刻意回避直接描寫女性身體的情況有所區(qū)別。 第二、著眼于角色性格中的“去女性化”因素，生活化的女性形象成為人物塑造的主流。新世紀(jì)，女性形象塑造開始對傳統(tǒng)文化所施加的束縛進(jìn)行由被動到主動的顛覆。以外形的“美”為標(biāo)簽，，以性格的“去女性化”為內(nèi)核，人物形象回歸了生活的本真。無論從人物語言行為的微觀塑造，還是敘事角度的宏觀塑造都具有明顯的“生活化”的趨勢。 第三、對女性運(yùn)動員賽場上下的真實(shí)生存狀態(tài)予以更多的關(guān)注，對其所處困境和造成該困境的社會矛盾進(jìn)行直接的書寫。這一時期的電影中，女性運(yùn)動員職業(yè)角色與家庭角色的沖突、女性運(yùn)動員與男性的互動關(guān)系等運(yùn)動場域之外的生活狀態(tài)成為新的聚焦點(diǎn)。影片不再對其職業(yè)角色與家庭角色的矛盾進(jìn)行調(diào)節(jié)和消融。更對女運(yùn)動員在以男性為主導(dǎo)構(gòu)建的制度世界中的掙扎、在新世紀(jì)泛娛樂化浪潮背景下的迷失進(jìn)行毫無遮蔽的展現(xiàn)。 結(jié)合上述內(nèi)容，提出華語體育電影中女性形象塑造的敘事背景如下：女性解放運(yùn)動的興起以及女性主義思潮的大量引入對中國傳統(tǒng)觀念造成的前所未有的沖擊構(gòu)成了其社會語境；中華民族榮譽(yù)感的加強(qiáng)和勇于突破局限尋求自我發(fā)展的特性構(gòu)成了其民族語境；依然存在的以男性意識為主導(dǎo)建立的文化制度對女性的圈禁構(gòu)成了其文化語境。
[Abstract]:Sports movies, which make images of the close relationship between sports and social life, are loaded with the exploration of the value and significance of life. In sports movies, women, a special group, walk out of the ivory tower constructed by traditional ideas and use their body and spirit to perform a high hymn. After a hundred years of development, sports film has the typical characteristics of the type of film, theme elements, narrative elements, character elements, technical elements, environmental elements, audio-visual elements and other types of elements have been basically stable. As an important part of character elements, the success of female image shaping has an important impact on the quality of sports film creation. At the same time, the writing of female images further reflects the cultural characteristics of contemporary society and people's values. In the new century, the social trend of thought is surging, foreign culture has had an unprecedented impact on Chinese traditional culture, and people's ideology has changed dramatically. Sports movies also show new features in the writing of women. This paper makes a detailed and orderly combing of Chinese sports films in the new century, and preliminarily summarizes the following characteristics of the shaping of female images: First, the trend of "body narration" is becoming more and more obvious, and the film is more direct, thorough and legalized to highlight the beauty of female athletes. The film focuses on the healthy image and graceful posture of female athletes. The narrative context of sports field and sports field is chosen to express, and the group beauty map with sports vitality and life passion is constructed. In this process, the aesthetic sense of movement displayed by women as athletes is fully recorded and amplified. The beautiful posture and good face of the female body are also presented clearly and completely. This is different from the fact that Chinese films deliberately avoided direct depiction of women's bodies before 2000. Second, focus on the "defeminization" factor of the character, and the living female image becomes the mainstream of character shaping. In the new century, female image shaping began to subvert the traditional culture from passive to active. With the beauty of appearance as the label and the defeminization of character as the core, the characters return to the true nature of life. Both the micro-modeling of characters' language behavior and the macro-shaping of narration have an obvious trend of "life-oriented". Thirdly, more attention should be paid to the real living state of female athletes on and off the field, and the dilemma and the social contradictions that caused it should be written directly. In the film of this period, the conflict between professional role and family role of female athletes, the interaction between female athletes and men and other living conditions outside the sports field become the new focus. The film no longer adjusts and melts the contradiction between professional and family roles. More women athletes in the male-dominated construction of the system in the world of struggle, in the new century under the background of the wave of pan-entertainment for the loss of an unsheltered display. Combined with the above, The narrative background of portraying female images in Chinese sports films is put forward as follows: the rise of female liberation movement and the unprecedented impact on Chinese traditional ideas caused by the rise of female liberation movement and the introduction of feminism trend of thought constitute its social context; The strengthening of the sense of honor of the Chinese nation and the courage to break through the limitation of seeking for self-development constitute its national context, and the cultural system, which is still established with the male consciousness as the leading factor, constitutes its cultural context.
【學(xué)位授予單位】：陜西科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J909.2

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