發(fā)布時(shí)間：2018-04-23 23:16

  本文選題：《瘋狂動(dòng)物城》 + 烏托邦遺產(chǎn)��； 參考：《探索與爭(zhēng)鳴》2016年06期

【摘要】：迪士尼動(dòng)畫大片《瘋狂動(dòng)物城》于《烏托邦》發(fā)表500周年之際,在全球范圍內(nèi)熱映并引發(fā)對(duì)于烏托邦的討論,可視為巴迪歐意義上的事件哲學(xué)。影片命名的不同選擇顯示了烏托邦價(jià)值立場(chǎng)的鮮明分歧�！动偪駝�(dòng)物城》在烏托邦敘事上自覺(jué)地嘗試藝術(shù)選擇與突破,把個(gè)體成長(zhǎng)烏托邦與社會(huì)烏托邦交織敘事,構(gòu)成復(fù)合的烏托邦審美與風(fēng)格,但根本上的缺陷是仍然把烏托邦標(biāo)簽化,有反烏托邦的危險(xiǎn)。今天重談烏托邦的使命就是要超越烏托邦遺產(chǎn),從新現(xiàn)實(shí)中獲得新的思想資源和精神動(dòng)力,用新的烏托邦思想和信念來(lái)燭照人類向未來(lái)出發(fā)。唯有如此,人類重啟烏托邦的偉大史詩(shī)敘事不僅可能,而且必然。
[Abstract]:On the occasion of the 500th anniversary of Utopia, the Disney animated blockbuster "Crazy Animal City" has become a global phenomenon and triggered a discussion of Utopia, which can be regarded as the philosophy of events in the sense of Badio. The different choice of the film's naming shows the distinct difference of the utopian value standpoint. "Mad Animal City" consciously tries the artistic choice and the breakthrough in the utopian narrative, interweaves the individual growth utopia and the social utopia narration. The composition of Utopian aesthetics and style, but the fundamental defect is still label Utopia, there is a risk of dystopia. Today, the mission of Utopia is to transcend the Utopian heritage, obtain new ideological resources and spiritual power from the new reality, and use new Utopian thoughts and beliefs to illuminate the future of mankind. Only in this way, it is not only possible, but also inevitable, for mankind to restart the utopian epic narrative.
【作者單位】： 上海政法學(xué)院文學(xué)與傳媒學(xué)院暨紀(jì)錄片學(xué)院;
【基金】：國(guó)家社科基金項(xiàng)目“現(xiàn)代性視野下的小說(shuō)類型學(xué)研究”(15BWZ019)
【分類號(hào)】：J954

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相關(guān)期刊論文 前1條

1 劉艷;“樣板戲”觀眾與烏托邦文化[J];藝術(shù)百家;1996年03期

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本文編號(hào)：1794080