本文選題：許鞍華 + 老年題材��； 參考：《海南大學》2013年碩士論文

【摘要】：許鞍華是華語電影界中重要的女性導演,她的電影始終將關注的重點置于弱勢群體與社會小人物的身上,用她平實冷靜的鏡頭去默默關注他們的日常生活與喜怒哀樂,始終貫穿著濃郁的人文關懷。從影多年,許鞍華導演為觀眾創(chuàng)作了不少電影佳作,而她在電影作品里塑造出來的一系列老年人物形象,不僅豐富了電影藝術的老年形象,也在深刻的層面上關注老齡問題、反映社會問題。在人口老齡化的背景下,對許鞍華作品的老年人物形象進行研究,具有深遠的理論和現(xiàn)實意義。 本文集中研究了許鞍華后期電影作品中的老年人物形象,在具體分析其作品的藝術探索背景、老年形象建構以及藝術特色的同時,還比較了她的老年題材電影與國內(nèi)其他老年題材電影的異同之處,以期對許鞍華老年電影作品的主題意蘊及獨特的藝術價值有較為清晰深刻的認識。 論文序言部分從許鞍華的老年電影《桃姐》獲獎談起,簡要說明了分析許鞍華作品老年人物形象的必要性和研究目的。第一章從許鞍華的文化淵源、地域背景、以及身份認同這三個方面對她的藝術探索背景進行了梳理。第二章詳細分析了許鞍華后期電影中的老年形象,具體將她老年題材作品中的老年人物形象主要劃分成三大類型,并且描述了這群老年角色生存狀況和形象特點,第三章指出了許鞍華老年題材電影里映現(xiàn)的社會問題分別有養(yǎng)老問題和死亡問題。第四章中從三個方面分析了許鞍華老年題材電影的藝術特色中濃郁的人文關懷、沉穩(wěn)的紀實風格以及獨特的女性意識。第五章指出許鞍華老年電影與國內(nèi)其他老年電影存在著創(chuàng)作背景和藝術特征上的相同之處。第六章比較分析了許鞍華老年電影與其他老年電影的不同之處,指出她的作品老年形象性別特征更為鮮明、反映老齡問題更為深刻,并且能實現(xiàn)商業(yè)元素與藝術電影的融合、實現(xiàn)雙贏。 本文希望通過對許鞍華老年人物形象的系統(tǒng)研究,深入分析許鞍華的老年人物形象,探尋其獨特的藝術風格和審美意義,以期為老年影視創(chuàng)作提供有益的啟示,為老年題材電影研究貢獻自己的一份綿薄之力。
[Abstract]:Hui An-hua is an important female director in the Chinese film industry. Her films have always focused on the disadvantaged groups and the small people in society, using her calm and calm lens to silently focus on their daily life and their joys, sorrows and sorrows.Always run through the rich humanistic care.After many years of film, Director Hui Anhua has created many excellent films for the audience, and the series of images she has created in her film works not only enrich the image of old age in film art, but also pay close attention to the problem of aging at a deep level.Reflecting social problems.Under the background of aging population, it is of profound theoretical and practical significance to study the characters of the aged in Xu Anhua's works.This paper focuses on the image of elderly characters in Xu Anhua's later film works, and analyzes the artistic background, image construction and artistic characteristics of his works.It also compares the similarities and differences between her films on the elderly and other films on the subject of old age in China in order to have a clear and profound understanding of the theme implication and unique artistic value of Hui Anhua's films for the aged.The preface of this paper starts with Xu Anhua's winning film "Tao Jie", and briefly explains the necessity and research purpose of analyzing the image of the elder characters in Xu Anhua's works.The first chapter combs Xu Anhua's artistic exploration background from her cultural origin, regional background and identity.The second chapter analyzes the image of the elderly in Xu Anhua's later films, and divides the characters of the elderly into three types, and describes the living conditions and image characteristics of the elderly characters.The third chapter points out that the social problems reflected in Xu Anhua's old age films are old-age problems and death problems respectively.The fourth chapter analyzes three aspects of Xu Anhua's old age theme film in the rich humanistic care, steady documentary style and unique female consciousness.Chapter five points out that Xu Anhua's senior-aged film has the same background and artistic characteristics as other old-age films in China.Chapter six compares and analyzes the differences between Hui Anhua's senior films and other old people's movies, and points out that her works have more distinct gender characteristics of the image of the elderly, which reflect the problem of aging more deeply, and can realize the integration of commercial elements and art films.To achieve a win-win situation.This paper hopes that through the systematic study of the image of Xu Anhua's elderly characters, the author will deeply analyze the image of Xu Anhua's elderly characters, and explore its unique artistic style and aesthetic significance, in order to provide useful inspiration for the creation of the aged film and television.To contribute their own contribution to the study of films on the subject of old age.
【學位授予單位】：海南大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J911

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本文編號：1753661