本文選題：節(jié)奏 + 審美共識(shí)�。� 參考：《曲阜師范大學(xué)》2017年碩士論文

【摘要】：只要是存在運(yùn)動(dòng)的事物,就會(huì)產(chǎn)生節(jié)奏。在影視藝術(shù)中,視聽語(yǔ)言的變化可以形成豐富多樣的節(jié)奏。人物紀(jì)錄片是以人為拍攝記錄主體,相較于其他影視作品而言,敘事和表意手法受到一定限制,因此人物紀(jì)錄片更需要通過(guò)靈活運(yùn)用節(jié)奏來(lái)進(jìn)行表情達(dá)意,避免使得影片枯燥無(wú)味。本文在康德審美共通感的理論起源基礎(chǔ)之上,通過(guò)研究前人對(duì)審美共識(shí)理論的分析,重點(diǎn)結(jié)合影視心理學(xué)和影視美學(xué)的觀點(diǎn),進(jìn)一步將審美共識(shí)細(xì)分為情感共識(shí)、認(rèn)知經(jīng)驗(yàn)共識(shí)和文化共識(shí)三大方面。并輔以眾多優(yōu)秀的人物紀(jì)錄片作為例證,對(duì)片中出現(xiàn)的節(jié)奏現(xiàn)象進(jìn)行研究分析,這對(duì)于紀(jì)錄片創(chuàng)作者更好地把握影視節(jié)奏與心理和審美之間的關(guān)系有指導(dǎo)意義。因?yàn)橹挥懈玫亓私�、體會(huì)受眾的情感體驗(yàn),更多地從審美共識(shí)角度出發(fā)進(jìn)行創(chuàng)作,才有助于人物紀(jì)錄片在更大范圍內(nèi)傳播,獲得更多觀眾的喜愛(ài)和認(rèn)可。論文的第一章為緒論,主要闡述了審美共識(shí)理論的起源和發(fā)展,并對(duì)人物紀(jì)錄片中常用的節(jié)奏進(jìn)行概述和分類。第二章至第四章為文章的核心章節(jié)。第二章分別從內(nèi)心情感節(jié)奏和外部情緒節(jié)奏的角度分析如何通過(guò)敘事、聲音、景別、色調(diào)的變化讓紀(jì)錄片所表達(dá)的情緒與觀眾的情感達(dá)成較為一致的審美體驗(yàn)和共識(shí)。第三章主要基于受眾認(rèn)知經(jīng)驗(yàn)共識(shí)的基礎(chǔ)之上,在設(shè)置懸念、解決沖突、把握鏡頭運(yùn)動(dòng)和使用蒙太奇四個(gè)方面,分析如何更好地把控人物紀(jì)錄片的節(jié)奏。第四章重點(diǎn)講述人物紀(jì)錄片中應(yīng)該如何捕捉主人公的話語(yǔ),體現(xiàn)其自身的文化符號(hào)。以及要針對(duì)不同風(fēng)格的影片選擇合理的視角來(lái)進(jìn)行敘述,促進(jìn)紀(jì)錄片的文化傳播。通過(guò)研究可知,節(jié)奏對(duì)于人物紀(jì)錄片的優(yōu)劣有至關(guān)重要的作用,但影響節(jié)奏的因素,遠(yuǎn)不止文中所述。不論是視覺(jué)元素還是聽覺(jué)元素,都需要融合貫通到影片之中,因此需要充分利用作為普遍性準(zhǔn)則的審美共識(shí)來(lái)進(jìn)行指導(dǎo),使其與節(jié)奏形成和諧統(tǒng)一的整體,才能讓受眾體驗(yàn)到情感共鳴。
[Abstract]:As long as there is movement, there will be rhythm.In film and television art, the change of audiovisual language can form rich and diverse rhythm.Character documentaries are recorded by human subjects, compared with other film and television works, narrative and ideographic techniques are limited, so character documentaries need to use rhythm flexibly to achieve the purpose of expression.Avoid making the film boring.On the basis of the theoretical origin of Kant's aesthetic common sense, this paper, by studying the previous analysis of aesthetic consensus theory and combining the viewpoints of film and television psychology and film aesthetics, further subdivides the aesthetic consensus into emotional consensus.Cognitive experiential consensus and cultural consensus.With many outstanding documentaries as examples, this paper studies and analyzes the rhythmic phenomena in the films, which is of guiding significance for documentary creators to better grasp the relationship between film rhythm, psychology and aesthetics.Because only better understanding, understanding the emotional experience of the audience, more from the point of view of aesthetic consensus to create, in order to help the character documentary in a wider range of dissemination, to obtain more audience love and recognition.The first chapter is the introduction, mainly expounds the origin and development of the aesthetic consensus theory, and summarizes and classifies the rhythm commonly used in the character documentary.The second to fourth chapters are the core chapters of the article.In the second chapter, from the angle of inner emotional rhythm and external emotional rhythm, the author analyzes how to achieve a more consistent aesthetic experience and consensus between the emotion expressed in the documentary and the emotion of the audience through the changes of narrative, sound, scene and tone.The third chapter is based on the consensus of the audience's cognitive experience, and analyzes how to better control the rhythm of the character documentary in four aspects: setting suspense, resolving conflicts, grasping the lens movement and using montage.The fourth chapter focuses on how to capture the protagonist's words and reflect their own cultural symbols in the character documentary.And to choose a reasonable perspective for different styles of the film narrative, to promote the cultural dissemination of documentaries.According to the research, rhythm plays an important role in the character documentary, but the factors that affect the rhythm are far more than those described in the paper.Both visual and auditory elements need to be integrated into the film, so it is necessary to make full use of the aesthetic consensus as a universal criterion to guide it and form a harmonious and unified whole with the rhythm.In order to let the audience experience emotional resonance.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J952

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