本文選題：吸血鬼流行文化　切入點：性別意識　出處：《陜西師范大學(xué)》2014年碩士論文

【摘要】：二百多年以前,吸血鬼形象便開始在西方社會土壤中孕育而出了。伴隨著時代的巨大變遷以及傳播媒介的日新月異,以吸血鬼形象為主題的文學(xué)影視作品創(chuàng)作風(fēng)潮經(jīng)歷了三重迭起,作為一種不可忽視的流行文化現(xiàn)象已逐步深入全球文化傳播的場域。如若說于十八世紀中后期興起的恐怖型哥特式文學(xué)是吸血鬼最初單純駭人、邪惡的“他者”符號的源頭,那么在經(jīng)歷了十九世紀逐步萌芽的女性平等主義思想、二十世紀廣泛興起的女權(quán)主義運動以及美國性解放風(fēng)潮等社會事業(yè)的推進之后,吸血鬼作為一個完全虛構(gòu)的形象被賦予了更加深刻、多重、復(fù)雜的人性,其中無不反映著大眾情感欲望、當代社會文化以及受眾審美心理的變化。 吸血鬼題材的詩歌、小說、繪畫、電影作品層出不窮,與之相應(yīng)地,研究和分析吸血鬼形象的理論觀點也絕不缺乏,尤其是西方學(xué)術(shù)界對此進行了深入的闡述討論,但國內(nèi)對此的理論研究還處于認識學(xué)習(xí)階段。由于吸血鬼本身生理性別已死但社會性別存在導(dǎo)致了其性別身份認同混亂,因而對吸血鬼“性、性別、欲望”的探索無疑是重要的一環(huán)。本文在諸多側(cè)重方面中選擇吸血鬼流行文化中的性別意識嬗變作為研究的主要切入點,并按照如下的段落分別展開縱向及橫向論述： 第一章引言部分筆者首先對吸血鬼流行文化的研究背景進行梳理總結(jié)并做理論綜述,著重分析了論文的選題和意義,此外還涵蓋了對國內(nèi)外學(xué)術(shù)研究現(xiàn)狀的分析概括。認為國內(nèi)學(xué)術(shù)理論著作對吸血鬼性別意識嬗變的方面有所涉及,但較為淺顯和分散,至今還未有系統(tǒng)的、深入而廣泛的相關(guān)研究出現(xiàn)。第二章具體就吸血鬼流行文化中性別意識流變分期和相關(guān)社會背景展開討論,并輔以同時期重要文本的客觀性解讀。筆者認為按照興起的時間規(guī)模和社會背景,吸血鬼性別意識的流變可大致分為三個時期及特點,分別是：初期男性視角中心敘述與維多利亞時代女性觀、中期女性強化敘述與七十年代美國(性、同性戀、女性等的)解放進程、以及后期傳統(tǒng)兩性角色的平緩回歸與新時期的性別歧視。不可否認的是,每一次吸血鬼形象的革命性變革,都是對虛幻世界背后隱含的現(xiàn)實人生寫照。第三章則針對前文未能涵蓋到、又較為重要的相關(guān)話題展開更加深入的討論,主要對吸血鬼同(雙)性戀情結(jié)、吸血鬼的二次復(fù)活與艾滋恐懼、對禁欲和縱欲的暗示、以及女性主義的再闡釋等議題結(jié)合相關(guān)文本進行了深入的橫向拓展分析。筆者認為通過吸血鬼的形象,人們實則表達了對自己身處社會文化中所歷經(jīng)種種矛盾的不解、恐懼、欲望、以及難以訴說的苦楚,此外還反映了對于社會文化中部分“邊緣人”群體的關(guān)注�？傊�,通過對吸血鬼文學(xué)影視作品中所流露出的性別意識的分析研究,本文試圖深入挖掘出吸血鬼身上所折射的人性困惑,尤其是身處主流社會生存規(guī)則之外“他者”群體的生存狀況和精神面貌。
[Abstract]:More than 200 years ago, the vampires began in the western society bred out. With the era of great change and media change rapidly, creation of film and television works in literary trend as the theme of the vampire image through three heavy field after another, as a significant pop culture phenomenon has been gradually deepening of global culture spread. Should the terrorist of Gothic literature in the late eighteenth Century to the rise of the original simple terrible evil vampire, "the other" symbol of the source, then in nineteenth Century experienced a gradually budding female egalitarianism, after the feminist movement and the rise of the United States in twentieth Century many sexual liberation and other social undertakings to promote the trend, as a vampire. A completely fictional image was given a more profound, multiple, complex human nature, which reflected the public sentiment Desire, contemporary social culture and changes in the audience's aesthetic psychology.
Vampire themed novels, poetry, painting, film works correspondingly, emerge in an endless stream, theory research and analysis of the vampire image will not lack, especially in the western academic circles have conducted in-depth discussions, but the theoretical research in China is still in the learning stage. Because the Vampire Sex itself is dead but gender due to its gender identity disorder, so the vampire ", sex, desire to explore" is undoubtedly an important part. This paper chooses the gender consciousness evolution vampires in popular culture in many aspects as the main focus of the research breakthrough point, and in accordance with the following paragraphs respectively discusses the vertical and horizontal:
The first chapter is the introduction part of the first vampire pop culture background summary and overview of the theory, analyzes the topic and significance of the paper, also covers academic research at home and abroad are summarized. The domestic academic works that has involved in the vampire sex consciousness evolution, but relatively simple and scattered, has not yet been systematically, in-depth and extensive research. The second chapter is the vampire pop culture of gender consciousness and social background of rheological stage discussions, supplemented by the same period important text interpretation objectivity. I believe that in accordance with the rise of the time scale and the social background, the vampire sex consciousness can be roughly rheological is divided into three periods and the characteristics are: the initial center and Vitoria Times described the male perspective view of women, women in the mid of Syria The United States (and 70s, female homosexuality, etc.) the process of emancipation, gender discrimination and the new period and the late slow regression of traditional gender roles. It is undeniable that the revolutionary change of every vampire image, are hidden behind the illusory world of real life portrayal. The third chapter based on the previous failed to cover, also launched related topics more important more in-depth discussion, mainly on the same vampire (double) love complex, two times the resurrection and the fear of AIDS vampire, abstinence and sexual cues, and feminist issues associated with the re interpretation of the text are analyzed deeply. The author thinks that the horizontal expansion through the image of the vampire, but people expressed puzzled, after himself in all sorts of contradictions in the social culture of fear, desire and suffering, it is difficult to tell, in addition to reflect the social culture Part of the "marginal man" in the group's attention. In short, through the analysis of gender consciousness reveals to the vampire literature in film and television works, this paper tries to dig out the nature of vampires reflects the confusion, especially in the mainstream social survival rules beyond the "other" group survival situation and spiritual outlook.

【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

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相關(guān)期刊論文 前1條

1 麥永雄;付飛亮;;《夜訪吸血鬼》中的男同性戀[J];電影評介;2007年03期

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本文編號：1729105