本文選題：2D電影　切入點(diǎn)：3D電影　出處：《上海師范大學(xué)》2013年碩士論文

【摘要】：本文以視覺文化時(shí)代為研究背景，以電影技術(shù)從2D到3D的轉(zhuǎn)變?yōu)榍腥朦c(diǎn)，梳理電影技術(shù)從2D到3D明顯的進(jìn)步、難以避免的局限性，以及由此產(chǎn)生的視覺感官效果、觀者審美狀態(tài)之異同。在視覺技術(shù)作用下，這些感官效果的差異、以及審美狀態(tài)的異同，是怎樣體現(xiàn)的呢？以2D電影為基礎(chǔ)，逐漸繁榮和發(fā)展的3D技術(shù)和3D電影，其對(duì)于受眾的電影審美活動(dòng)來(lái)說(shuō)實(shí)現(xiàn)了怎樣的跨越？在此過程中，它是否也有著阻礙電影審美活動(dòng)的一面呢？帶著這些疑問，本篇論文將細(xì)述。運(yùn)用文本分析法、文獻(xiàn)調(diào)查法、比較分析方法、推理分析方法對(duì)3D技術(shù)進(jìn)行詳細(xì)研究，做“審美探析”。在3D視覺技術(shù)條件下，人們的審美方式發(fā)生轉(zhuǎn)變，觀者在視覺經(jīng)驗(yàn)、情感體驗(yàn)、審美需求方面有了不同于2D電影審美體驗(yàn)的地方。 本文在視覺文化時(shí)代背景下，梳理3D電影的勃興及其帶來(lái)的視覺革命和視覺感官效果，從3D電影本身出發(fā)，探析3D電影本身的美學(xué)特性和美學(xué)意義；從觀賞者出發(fā)，探析3D電影對(duì)其審美方式、審美體驗(yàn)等方面產(chǎn)生的深刻影響；從3D電影制作者的角度出發(fā)，探析視覺技術(shù)審美活動(dòng)對(duì)其制作者思維的影響，剖析電影技術(shù)在從2D到3D的轉(zhuǎn)變過程中，其審美狀態(tài)的改變及異同點(diǎn)，并對(duì)3D電影的審美活動(dòng)進(jìn)行辨證地分析和認(rèn)識(shí)。 首先，，通過文獻(xiàn)分析，厘清國(guó)內(nèi)外對(duì)“3D電影”審美研究現(xiàn)狀，明晰已經(jīng)取得的成績(jī)、發(fā)展水平，以及存在的問題，簡(jiǎn)單介紹與本研究相關(guān)其他領(lǐng)域研究現(xiàn)狀。提出所要達(dá)到的目標(biāo)，陳述研究?jī)?nèi)容，探析擬解決的關(guān)鍵問題。 其次，在視覺文化時(shí)代這樣的大背景下，對(duì)視覺技術(shù)的發(fā)展演進(jìn)做交待，首先從技術(shù)層面簡(jiǎn)要介紹2D和3D技術(shù)，然后分析視覺技術(shù)從平面的2D到立體虛幻的3D實(shí)現(xiàn)了怎樣的跨越，以及由于技術(shù)跨越帶來(lái)的新的改變。并分析2D電影和3D電影審美狀態(tài)之異同。 最后，對(duì)3D電影審美活動(dòng)進(jìn)行辯證分析。在視覺圖景泛濫的3D視覺時(shí)代，雖3D電影能夠給人帶來(lái)視覺享受和感官震撼，但應(yīng)對(duì)其有更深刻的美學(xué)認(rèn)識(shí)。電影科技不斷進(jìn)步，怎樣使電影的視覺效果更加精彩卻不失藝術(shù)價(jià)值理應(yīng)成為制作者永恒的探索和追求。
[Abstract]:This article takes the visual culture age as the research background, with the film technology from 2D to 3D as the breakthrough point, combs the film technology from 2D to the 3D obvious progress, the unavoidable limitation, and the visual sensory effect which produces therefrom,The similarities and differences of the aesthetic state of the viewer.Under the action of visual technology, how does the difference of these sensory effects and the similarities and differences of aesthetic state reflect it?On the basis of 2D film, the 3D technology and 3D film, which is flourishing and developing gradually, has achieved what kind of leaps and bounds for the audience's film aesthetic activities?In this process, does it also have the side that obstructs the movie esthetic activity?With these questions in mind, this paper will elaborate.Using text analysis, literature survey, comparative analysis and reasoning analysis, 3D technology is studied in detail, and "aesthetic analysis" is done.Under the condition of 3D vision technology, people's aesthetic style has changed, and the viewer has different aesthetic experience from 2D film in visual experience, emotional experience and aesthetic demand.Under the background of visual culture, this paper combs the flourishing of 3D film and its visual revolution and visual sensory effects, analyzes the aesthetic characteristics and aesthetic significance of 3D film from the perspective of 3D film itself, and sets out from the viewer.This paper probes into the profound influence of 3D film on its aesthetic mode and aesthetic experience, analyzes the influence of aesthetic activities of visual technology on its creators' thinking from the angle of 3D film makers.This paper analyzes the changes and similarities and differences of the aesthetic state of film technology in the course of the transformation from 2D to 3D, and dialectically analyzes and understands the aesthetic activities of 3D films.First of all, through the literature analysis, to clarify the domestic and foreign "3D film" aesthetic research status, clear achievements, development level, as well as existing problems, a brief introduction to this research related to other areas of research.Put forward the goal to be achieved, state the contents of the research, and explore the key problems to be solved.Secondly, under the background of visual culture era, the development and evolution of visual technology are explained. Firstly, 2D and 3D technologies are briefly introduced from the technical level.Then it analyzes how the visual technology has been realized from 2D to 3D, and the new changes brought about by the technological leapfrogging.And analyzes the aesthetic state of 2D film and 3D film similarities and differences.Finally, the aesthetic activities of 3 D films are dialectically analyzed.In the age of 3D vision, 3D movies can bring people visual enjoyment and sensory shock, but they should have a deeper aesthetic understanding.With the development of film science and technology, how to make the visual effect more wonderful without losing the artistic value should be the eternal exploration and pursuit of the producer.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J901

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