本文選題：歷史文獻(xiàn)　切入點(diǎn)：紀(jì)錄片　出處：《重慶師范大學(xué)》2015年碩士論文

【摘要】：歷史文獻(xiàn)紀(jì)錄片可以說(shuō)是我國(guó)特有的紀(jì)錄片類型。寬泛地說(shuō),其涵義就是以歷史文獻(xiàn)資料為基礎(chǔ),表現(xiàn)歷史事件為主的一種以紀(jì)實(shí)為基本美學(xué)特征,非虛構(gòu)的、敘事的影片樣式。從21世紀(jì)開(kāi)始,紀(jì)錄片開(kāi)始逐漸走進(jìn)大眾的視野,逐漸走出原來(lái)小眾的“自?shī)首詷?lè)”,特別是幾部高質(zhì)量的歷史文獻(xiàn)紀(jì)錄片的橫空出世,顛覆了普通觀眾原來(lái)對(duì)于歷史文獻(xiàn)紀(jì)錄片的認(rèn)識(shí)。這種顛覆主要來(lái)自于歷史文獻(xiàn)紀(jì)錄片創(chuàng)作上的進(jìn)步和創(chuàng)新。歷史文獻(xiàn)紀(jì)錄片不再是觀眾認(rèn)為的“資料片”,不再只是簡(jiǎn)單的文獻(xiàn)資料堆砌。創(chuàng)作者們?cè)谝暵?tīng)語(yǔ)言的表現(xiàn)力上尋得突破,逐漸擺脫歷史文獻(xiàn)紀(jì)錄片枯燥乏味的固有印象,片子開(kāi)始變得精美好看。本論文將系統(tǒng)全面地研究視聽(tīng)語(yǔ)言在歷史文獻(xiàn)紀(jì)錄片中作用及表現(xiàn),共分為四個(gè)部分。第一部分緒論提出研究的目的及意義,第二部分從紀(jì)錄片的概念展開(kāi),簡(jiǎn)述其演變和發(fā)展的過(guò)程,繼而對(duì)歷史文獻(xiàn)紀(jì)錄片的涵義作闡釋。第三部分將參照《故宮》《故宮100》《復(fù)興之路》《圓明園》以及《巴渝歷史文化訪談》五部紀(jì)錄片中收集的豐富語(yǔ)料,結(jié)合自身參與紀(jì)錄片拍攝的經(jīng)驗(yàn),分別對(duì)歷史文獻(xiàn)紀(jì)錄片的鏡頭語(yǔ)言、色彩語(yǔ)言、聽(tīng)覺(jué)語(yǔ)言三個(gè)方面做詳細(xì)的闡釋和分析。最后對(duì)歷史文獻(xiàn)紀(jì)錄片在視聽(tīng)語(yǔ)言方面的發(fā)展趨勢(shì)提出一些自己的思考和建議,期望通過(guò)自身的研究對(duì)歷史文獻(xiàn)紀(jì)錄片今后的發(fā)展盡自己的綿薄之力。
[Abstract]:The documentary of historical documents can be said to be a special type of documentary in China. Broadly speaking, its meaning is a kind of non-fiction, which is based on historical documents and shows historical events as the basic aesthetic feature. From the beginning of the 21st century, documentaries have gradually entered the public's field of vision and gradually stepped out of the original niche of "entertainment and self-enjoyment," especially the emergence of several high-quality historical documentaries. This kind of subversion mainly comes from the progress and innovation in the creation of historical documentary. The documentary of historical document is no longer considered by the audience as "expansion film" and no longer. It's a simple pile of literature. Creators find a breakthrough in the expressiveness of audiovisual language. Gradually get rid of the historical documentary boring and boring impression, the film began to become beautiful and good-looking. This paper will systematically and comprehensively study the role and performance of audiovisual language in historical documentaries. It is divided into four parts. In the first part, the purpose and significance of the research are put forward in the introduction. In the second part, the concept of documentary is introduced, and the process of its evolution and development is briefly described. The third part will refer to the rich data collected from the five documentaries, "The Imperial Palace", "The Imperial Palace 100", "the Road to Renaissance" and "interviews with History and Culture of Bayu". Based on their own experience in documentary shooting, the lens language and color language of historical documentary are analyzed respectively. At last, the author puts forward some thoughts and suggestions on the development trend of historical documentary in audiovisual language. Through its own research, I hope to do my best for the future development of historical documentary.
【學(xué)位授予單位】：重慶師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J952

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