本文選題：電影改編　切入點：消費文化　出處：《重慶工商大學》2014年碩士論文

【摘要】：文學小說文本歷來都是改編電影作品的一個重要來源，在我國電影發(fā)展的幾個重要階段，都出現大量優(yōu)秀的改編影視劇作品。80年代中后期就出現了一批改編電影，雖未在國內取得成績，但在國際上卻享有著非常優(yōu)秀的聲譽，其后在國內也引起了相應的思潮；到90年代中后期，這種態(tài)勢并沒有得到大幅度的增長，21世紀開始卻呈現出噴涌式的發(fā)展，特別是現代傳媒的發(fā)展，社會文化語境的巨大變化，更是給改編影視劇帶入到一個發(fā)展的春天。 21世紀以來，我國的影視劇改編確實取得了巨大的成就，改編影視劇題材廣泛、類型多樣、不僅數量巨多，而且在質量上較以前的任何一個時期都有非常大而又明顯的提高。本論文主要將時間區(qū)域定位于2008年以后的影視改編，對這期間的改編類型進行分析，并深入考察這一階段的影視劇改編的實踐、理論，并對這一時期的改編作品進行分析及反思。其內容主要在于給已經過去的這段改編歷史盡可能的客觀評價分析，并對以后的改編創(chuàng)作有所借鑒。 本文主要內容是分三類內容進行分析，集中在第二、第三、第四章。第二章作為輔助著重以消費文化背景作為分析對象，進行整理大環(huán)境的梳理；從第三到第五章開始就以類型改編作為分類開始分析，首先是對紅色經典的改編，其次是對歷史的“戲說”和神話改編等類型進行分析概況（主要以改編電影《畫皮》一二兩部進行研究分析），以及對內容上的研究主要側重于在消費時代環(huán)境下，，對女性符號的消費；，再次是研究互聯網時代的媒介互動下，對網絡小說改編的分析研究；最后主要是對21世紀以來改編影視劇的反思，內容主要以改編電影《白鹿原》作為分析對象，得出對其原著的人物形象改編的得失。 由此，論文呼喚在現在消費時代背景下的改編影視劇，不僅要尊重原著，也要尊重受眾，不能過度消費受眾的審美，要出高質量的改編作品。
[Abstract]:The texts of literary novels have always been an important source of adapted films. In several important stages of the development of Chinese films, a large number of excellent adapted films and TV dramas appeared in the mid and late 1980s.Although they have not made any achievements at home, they have enjoyed a very good reputation internationally, and have since aroused the corresponding trend of thought at home. By the middle and late 1990s,This kind of situation does not get the big growth but presents the spewing development at the beginning of the 21st century, especially the development of the modern media, the huge change of the social culture context, but also brings into a spring of development for the adaptation of the film and television drama.Since the 21st century, great achievements have been made in the adaptation of movies and TV dramas in our country. The adaptation of films and TV plays has a wide range of subjects, various types, not only a huge quantity, but also a very large and obvious improvement in quality compared with any previous period.This paper mainly focuses on the time and region of the film and television adaptation after 2008, analyzes the adaptation types during this period, and deeply investigates the practice and theory of the adaptation of the film and television drama in this period.And the adaptation of this period of analysis and reflection.Its content mainly lies in the objective evaluation and analysis of the adaptation history that has passed, and it can be used for reference to the later adaptation creation.This paper is divided into three main content analysis, focusing on the second, third, fourth chapter.The second chapter focuses on the consumer cultural background as the object of analysis, sorting out the general environment; from the third to the fifth chapters on the type of adaptation as a classification, the first is the adaptation of the red classic.The second is to analyze the historical "drama" and mythological adaptation (mainly based on the adaptation of film "painting" and "two" to carry out research and analysis, as well as on the content of the main focus on the environment of the consumer era,The consumption of female symbols is once again to study the media interaction in the Internet age, and to analyze and study the adaptation of network novels; finally, to reflect on the adaptation of movies and TV dramas since the 21st century.The content mainly takes the adaptation film White Deer as the analysis object, obtains the gain and loss to its original character image adaptation.Therefore, the thesis calls for the adaptation of film and TV drama under the background of the present consumption era, not only to respect the original work, but also to respect the audience, not to overconsume the audience's aesthetics, and to produce high-quality adaptation works.
【學位授予單位】：重慶工商大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J904

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本文編號：1697421