本文選題：“無厘頭”　切入點(diǎn)：張力強(qiáng)度　出處：《重慶郵電大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版)》2016年04期

【摘要】：對于"無厘頭"影片作為一種文化現(xiàn)象的研究很多,但卻少有涉及穿插"無厘頭"橋段如何對影片造成影響以及如何形成最終審美效果等觀影過程的探討。自電影符號(hào)學(xué)之后開始出現(xiàn)影片細(xì)讀和精神分析取向,而德勒茲哲學(xué)則試圖對傳統(tǒng)的精神分析模式進(jìn)行改造,將電影的觀看視為強(qiáng)度流的物質(zhì)實(shí)踐活動(dòng)�；诖�,"無厘頭"電影的觀看可以看作鏡頭流與觀看的觀眾身體流的匯合。把鏡頭流視為敘述文本,通過內(nèi)在于文本的敘述邏輯(符號(hào)意指鏈的斷裂/重組)之間張力的解讀,在大量的鏡頭分析中總結(jié)出影片穿插"無厘頭"橋段、形成審美效果的規(guī)律,并在三階段的區(qū)分中分析張力強(qiáng)度與劇情認(rèn)同程度關(guān)系所造成的影片整體審美效果變動(dòng)。
[Abstract]:For the film of "nonsense" as a kind of cultural phenomenon, but are rarely involved with "nonsense" plot how to affect the film and how to form the final aesthetic effect of viewing process. Since the Film Semiotics began to film reading and analysis of mental orientation, and Deleuze to the traditional philosophy the spirit of model transformation, will watch movies as the material flow strength practice. Based on this, "nonsense" to watch movies can be seen as the lens flow and audience body flow convergence. The lens flow as a narrative text, the narrative logic in the text (fracture / symbol means chain the tension between interpretation, restructuring) in the analysis of a large number of shots were summarized in the film "nonsense" plot, forming the aesthetic effect of the law, and the analysis of tension strength and play in the distinction in the three stage Changes in the overall aesthetic effect of the film caused by the relationship of the degree of emotional identity.

【作者單位】： 上海大學(xué)文學(xué)院;
【分類號(hào)】：J905
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本文編號(hào)：1655795