發(fā)布時(shí)間：2018-03-22 04:33

  本文選題：中國大陸電影　切入點(diǎn)：外國人形象　出處：《遼寧大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：在中國文化發(fā)展過程中，有很多對(duì)外國人的形象塑造，包括亦真亦假的游記列傳、卷帖浩繁的文學(xué)作品、虛實(shí)相輔的影視劇作自從1905年中國電影誕生以來，我國已經(jīng)拍攝了7000余部電影作品，也就塑造出了眾多亦平凡亦經(jīng)典的外國人形象。隨著中華人民共和國建成，我國大陸的電影事業(yè)達(dá)到了一個(gè)新的高度，這門日趨成熟的藝術(shù)以一種更具影響力的開拓之勢(shì)展現(xiàn)了對(duì)外國人形象的塑造。 在當(dāng)今的中國電影中，與外國合資拍攝的中國電影或是有外國演員演出的影視劇越來越多，觀眾常�？梢栽谟捌锌匆娨恍┩鈬诵蜗螅芏嘤捌�讓劇情的一部分發(fā)生在外國。但在建國初期，我國大陸電影中的外國人形象并不是很多，而且，這些形象的定位在相當(dāng)程度上體現(xiàn)著中國人民對(duì)外界的認(rèn)知和領(lǐng)悟，也具有很強(qiáng)的宣傳意義，是主流媒體希望向大眾傳達(dá)的信息。 本論文將由四部分組成。首先，緒論部分簡要闡述選擇該選題的背景、研究目的和意義，對(duì)國內(nèi)外對(duì)此選題相應(yīng)研究進(jìn)行整理和劃分，，并提出運(yùn)用了何種相應(yīng)的研究方法來進(jìn)行證明。第二部分（即第一章）以異域人物形象的構(gòu)建為主題，分別從人物形象的塑造和表現(xiàn)、他者形象與形塑者的關(guān)系兩方面論述在電影作品中，對(duì)異域人物形象的塑造。第三部分（即第二章）將以中國大陸電影中的日本人形象、美國人形象和俄國（蘇聯(lián)）人形象為例，引入一系列具體電影作為實(shí)例，對(duì)里面具有代表性的形象進(jìn)行分析，并總結(jié)、對(duì)比其間的異同。比如新仇舊恨澆筑的日本人形象、從抵觸到接受再到平等的美國人形象，以及亦敵亦友的蘇聯(lián)人形象。最后一部分將概述在中國大陸電影中對(duì)外國人形象的塑造在電影敘事中的四個(gè)功能，包括以外國人的視角對(duì)中國的現(xiàn)狀及未來發(fā)展加以評(píng)價(jià)、展現(xiàn)作為異國人對(duì)博大精深的中華文明的仰視，作為影片中的愛情元素，以及引導(dǎo)現(xiàn)代人視角。 電影誕生已有超過一百年的時(shí)間，而看電影也早已是人們非常熟悉的一種生活體驗(yàn)，電影這一綜合性藝術(shù)的功能不僅存在于商業(yè)、娛樂、甚至還有政治領(lǐng)域，因此說，中國電影中對(duì)外國人形象的塑造可以使觀賞影片的現(xiàn)代觀眾達(dá)成對(duì)劇中某一角色的認(rèn)同，在他的引導(dǎo)下來體驗(yàn)、評(píng)價(jià)片中的內(nèi)容，在我國大眾傳播過程中起著舉足輕重、不可忽視的重要作用，因?yàn)樗碇环N新的反觀自身的視角。
[Abstract]:In the course of the development of Chinese culture, there have been many images of foreigners, including travel stories, numerous literary works and film and television plays, since the birth of Chinese films in 1905. China has already shot more than 7000 film works, thus creating a large number of ordinary and classic images of foreigners. With the establishment of the people's Republic of China, the film industry in mainland China has reached a new height. This maturing art shows the image of foreigners in a more influential way. In today's Chinese films, there are more and more Chinese films made jointly with foreign countries or films and TV plays performed by foreign actors. Audiences can often see some images of foreigners in the films. Many films also let part of the plot take place in foreign countries. However, in the early days of the founding of the people's Republic of China, the images of foreigners in Chinese mainland films were not many. Moreover, the positioning of these images reflected to a certain extent the Chinese people's understanding and understanding of the outside world. Also has very strong propaganda significance, is the message which the mainstream media wishes to convey to the public. This paper will be composed of four parts. First, the introduction briefly describes the background, research purpose and significance of selecting this topic, sorting out and dividing the corresponding research on this topic at home and abroad. The second part (the first chapter) takes the construction of foreign characters as the theme, respectively from the creation and expression of the characters. The relationship between the image of the other and the sculptor. In the film works, the portrayal of the foreign characters is discussed. The third part (the second chapter) will be the Japanese image in the film of mainland China. The American image and the Russian (Soviet Union) image, for example, introduced a series of concrete films as examples, analyzed and summarized the representative images in them, and compared the similarities and differences between them. For example, the images of the Japanese who had new enemies and old hatreds were poured out. The last part will outline the four functions of portraying foreigners in Chinese movies. It includes evaluating the current situation and future development of China from the perspective of foreigners, showing the foreign people's view of the profound Chinese civilization, as the love element in the film, and guiding modern people's perspective. It has been more than a hundred years since the film was born, and watching movies has long been a very familiar experience of life. The function of film as a comprehensive art exists not only in the fields of commerce, entertainment, and even politics, but also in the field of politics. The portrayal of the image of foreigners in Chinese films can make the modern audience of watching films agree on a certain role in the play. Under his guidance, they can experience and evaluate the content of the film, which plays an important role in the process of mass communication in our country. It can not be ignored because it represents a new perspective of reflection.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 陳薪羽;;成龍電影中的外國人形象分析[J];現(xiàn)代商貿(mào)工業(yè);2011年12期

本文編號(hào)：1647098