本文選題：傳奇　切入點(diǎn)：泛娛樂化　出處：《陜西師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：二十一世紀(jì)以來,革命歷史題材電視劇進(jìn)入了新的發(fā)展階段,抗戰(zhàn)歷史題材電視劇也進(jìn)入繁盛階段,尤其是以傳奇敘事作為敘事手段,以浪漫化為審美特征的抗戰(zhàn)傳奇劇異彩紛呈。由于抗日戰(zhàn)爭題材的深刻性、我國政治體制的特殊性和傳統(tǒng)價值觀念的根深蒂固,抗戰(zhàn)傳奇劇作為弘揚(yáng)“主旋律”的電視劇,呈現(xiàn)出傳播國家意識形態(tài)的特性。在新時期市場經(jīng)濟(jì)化的快速發(fā)展導(dǎo)致的消費(fèi)文化興盛的環(huán)境中抗戰(zhàn)傳奇劇發(fā)展迅速,娛樂和消遣功能上升于重要的地位并產(chǎn)生了一系列問題。本文結(jié)合傳播學(xué)和受眾心理學(xué)的相關(guān)研究成果,通過大眾文化研究與影視文本分析相結(jié)合的方法,探討了革命題材電視劇及其抗戰(zhàn)傳奇劇在新時期的嬗變軌跡,從傳播學(xué)的角度針對目前引起收視高潮并飽受熱議的抗戰(zhàn)傳奇劇進(jìn)行理論上的探討和全面系統(tǒng)的學(xué)理性分析。一方面對抗戰(zhàn)傳奇劇進(jìn)行比較明確的內(nèi)涵界定,通過回顧并厘清抗戰(zhàn)傳奇劇的發(fā)展歷史,對目前抗戰(zhàn)傳奇劇所呈現(xiàn)出來的變化發(fā)展做分層次的總結(jié)分析,既包括近年來取得的成就,也包括在發(fā)展中所體現(xiàn)的不足以及造成這種不足的的原因和由此產(chǎn)生的危害。另一方面通過受眾分析和對比分析等方法來對抗戰(zhàn)傳奇劇的功能做較為明確的定位以便促進(jìn)抗戰(zhàn)傳奇劇的健康發(fā)展,通過研究審查方、制作方、播出方和接受方四者的具體建議提出抗戰(zhàn)傳奇劇的發(fā)展策略,在論文結(jié)尾對抗戰(zhàn)傳奇劇做出了前景展望。通過樣本分析,抗戰(zhàn)傳奇劇創(chuàng)作的革新點(diǎn)主要體現(xiàn)在審美特征、理念思路、講敘手段、題材選擇、影像攝制等方面。新時期世俗化語境中的抗戰(zhàn)傳奇劇是為了滿足大眾對于庸常生活的反抗和心理補(bǔ)償而產(chǎn)生的。20世紀(jì)80年代的“人學(xué)思潮”和演化敘事阻斷了抗戰(zhàn)傳奇劇的復(fù)興之路；新世紀(jì)以來,在“后革命”語境下的抗戰(zhàn)傳奇劇通過添加草莽、草根、女性、諜戰(zhàn)、武俠等因素,完成了對于抗戰(zhàn)歷史的傳奇化想象。但是,傳奇之“奇”是建立在對于世俗生活的不斷超越和審美想象空間的不斷拓展之上的,當(dāng)下抗戰(zhàn)傳奇劇泛娛樂化現(xiàn)象十分嚴(yán)重,機(jī)械性的復(fù)制是當(dāng)下抗戰(zhàn)傳奇劇創(chuàng)作的最大障礙。這就需要我們從現(xiàn)實(shí)的角度去看待抗戰(zhàn)傳奇劇的創(chuàng)作發(fā)展問題,從科學(xué)發(fā)展觀的角度出發(fā),以唯物史論為理論指導(dǎo),實(shí)事求是,大膽創(chuàng)新,理論聯(lián)系實(shí)際生活中的問題,用高超的藝術(shù)創(chuàng)新能力和對主流寫作禁忌的有效突破來促進(jìn)抗戰(zhàn)傳奇劇的健康發(fā)展,向更高更遠(yuǎn)更深的層次邁進(jìn)。
[Abstract]:Since 21th century, revolutionary historical drama has entered a new stage of development, and the historical drama of the War of Resistance against Japan has also entered a prosperous stage, especially with legendary narration as a narrative means. Because of the profundity of the subject matter of the War of Resistance against Japan, the particularity of our political system and the deep-rooted traditional values, the legendary drama of the War of Resistance against Japan is a TV play to carry forward the theme of the War of Resistance against Japan. Showing the characteristics of spreading national ideology. In the new era, the rapid development of market economy led to the prosperity of consumer culture in the environment of the legendary drama of the War of Resistance against Japan developed rapidly. The functions of entertainment and recreation have risen to an important position and a series of problems have arisen. This paper combines the research results of communication and audience psychology, and combines the research of mass culture with the analysis of film and television texts. This paper probes into the evolution of revolutionary TV dramas and the legendary dramas of the Anti-Japanese War in the new period. From the angle of communication, this paper makes a theoretical discussion and a comprehensive and systematic analysis of the legendary drama of the Anti-Japanese War, which has caused the climax of the audience and has been widely discussed. On the one hand, the connotation of the legendary drama of the War of Resistance against Japan is clearly defined. By reviewing and clarifying the development history of the legendary dramas of the Anti-Japanese War, this paper summarizes and analyzes the changes and developments of the legendary dramas of the War of Resistance against Japan at present, including the achievements made in recent years. Also included in the development of the deficiencies and the causes of this deficiency and the harm. On the other hand, through audience analysis and comparative analysis to make a more clear function of the role of the War of Resistance against Japan drama. In order to promote the healthy development of the legendary drama of the War of Resistance against Japan, The development strategy of the legendary drama of the Anti-Japanese War is put forward through the specific suggestions of the examiner, the producer, the broadcaster and the receiver. At the end of the paper, the prospect of the legendary drama of the War of Resistance against Japan is prospected. The innovation in the creation of legendary dramas during the War of Resistance against Japan is mainly reflected in its aesthetic characteristics, ideas, means of narration and choice of themes. In the context of secularization in the new era, the legendary drama of the War of Resistance against Japan was produced to satisfy the public's resistance to ordinary life and psychological compensation. In 80s of the 20th century, the trend of thought in human studies and the narrative of evolution blocked the resistance. The road of revival of war legendary drama; Since the new century, the legendary drama of the War of Resistance in the context of "post-revolution" has completed the legendary imagination of the history of the War of Resistance through the addition of factors such as reckless, grassroots, female, espionage, martial arts, etc. However, The legendary "wonder" is based on the unceasing transcendence of worldly life and the continuous expansion of aesthetic imagination space. The phenomenon of pan-entertainment in the current legendary dramas of the War of Resistance against Japan is very serious. The mechanical reproduction is the biggest obstacle to the creation of the legendary dramas of the War of Resistance against Japan, which requires us to look at the creation and development of the legendary dramas of the War of Resistance from a realistic point of view, proceed from the perspective of the scientific development view, and take the theory of materialistic history as the theoretical guidance. Seeking truth from facts, innovating boldly, combining theory with problems in real life, promoting the healthy development of the legendary drama of the War of Resistance against Japan with superb artistic innovation ability and effective breakthrough of the mainstream writing taboos, and striding forward to a higher and deeper level.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

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相關(guān)期刊論文 前1條

1 李治安;;當(dāng)前軍旅題材電視劇的四大類型[J];當(dāng)代電視;2006年06期

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本文編號：1642398