本文選題：VR電影　切入點(diǎn)：電影形態(tài)演變　出處：《西南大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：電影的產(chǎn)生和發(fā)展都與技術(shù)的緊密相聯(lián)、密不可分,隨著技術(shù)的不斷完善和發(fā)展,電影從無聲到有聲、從黑白到彩色、從2D到3D,直到現(xiàn)在VR技術(shù)爆發(fā)式的進(jìn)入電影領(lǐng)域,技術(shù)每一次進(jìn)入電影都帶來極大的影響,推動(dòng)著電影形態(tài)的不斷演進(jìn)。VR電影作為新生事物,是數(shù)字化時(shí)代的延續(xù)和發(fā)展,尚未生成自身的美學(xué)理論體系,而本篇論文中筆者將對(duì)虛擬現(xiàn)實(shí)技術(shù)在電影中的應(yīng)用帶來的新的審美體驗(yàn)特征進(jìn)行研究,因此筆者對(duì)虛擬現(xiàn)實(shí)技術(shù)下的影像審美體驗(yàn)研究具有一定的學(xué)術(shù)價(jià)值。本文對(duì)電影技術(shù)的發(fā)展、虛擬現(xiàn)實(shí)技術(shù)及其特點(diǎn)、電影美學(xué)的發(fā)展史做了大量的前期文獻(xiàn)研究工作,梳理了電影技術(shù)的發(fā)展史、電影形態(tài)的變化、虛擬現(xiàn)實(shí)影像的發(fā)展史及其新的特點(diǎn)。通過案例研究法、比較研究法總結(jié)了虛擬現(xiàn)實(shí)影像新的審美特性。在本篇論文中,作者首先將歸納在技術(shù)的不斷發(fā)展下電影形態(tài)產(chǎn)生了怎樣的變化;其次這種變化對(duì)觀眾的審美活動(dòng)產(chǎn)生了怎樣的影響,而虛擬現(xiàn)實(shí)影像又具有怎樣的審美體驗(yàn)新特性;最后筆者將對(duì)VR影像審美體驗(yàn)進(jìn)行了辯證的分析。虛擬現(xiàn)實(shí)技術(shù)對(duì)傳統(tǒng)的電影語言、影像時(shí)空、影像題材等都產(chǎn)生了顛覆性的變革,改變了傳統(tǒng)電影的審美體驗(yàn)方式,極大地增加了電影藝術(shù)的吸引力,觀眾的審美欲望的到了滿足,虛擬現(xiàn)實(shí)技術(shù)最大化的體現(xiàn)了電影的奇觀化和想象力觀眾在審美中感性占據(jù)著上風(fēng),理性逐漸淡化,因此,虛擬現(xiàn)實(shí)技術(shù)下的電影更要加強(qiáng)人文情懷和普世價(jià)值觀的融入。才能真正的使電影藝術(shù)在技術(shù)的不斷發(fā)展中不丟失其藝術(shù)價(jià)值。
[Abstract]:The production and development of film are closely related to the technology, inseparable, with the continuous improvement and development of technology, film from silent to sound, from black and white to color, from 2D to 3D, until now VR technology explosively into the field of film, Every time technology enters into the film, it brings great influence, and promotes the continuous evolution of film form. VR film, as a new thing, is the continuation and development of the digital age, and has not yet generated its own aesthetic theory system. In this paper, the author will study the new characteristics of aesthetic experience brought by the application of virtual reality technology in movies. Therefore, the author has a certain academic value for the study of the image aesthetic experience under the virtual reality technology. This paper has done a lot of preliminary literature research on the development of film technology, virtual reality technology and its characteristics, and the history of film aesthetics. The development history of film technology, the change of film form, the development history of virtual reality image and its new characteristics are combed out. The new aesthetic characteristics of virtual reality image are summarized by case study and comparative study. First of all, the author will sum up how the film form has changed under the continuous development of technology, secondly, what kind of influence this kind of change has on the audience's aesthetic activities, and what kind of aesthetic experience new characteristics of virtual reality images have; Finally, the author analyses the aesthetic experience of VR image dialectically. Virtual reality technology has brought about subversive changes to traditional film language, image time and space, image subject matter and so on, which has changed the aesthetic experience mode of traditional film. It greatly increases the attraction of film art, the audience's aesthetic desire is satisfied, the virtual reality technology maximizes the embodiment of the film's wonders and imagination, the audience's sensibility occupies the upper hand in the aesthetic appreciation, the reason gradually desalinates, therefore, The film under the virtual reality technology must strengthen the humanity sentiment and the universal values integration, can make the movie art in the technical continuous development not to lose its artistic value.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J901

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本文編號(hào)：1642091