本文選題：NHK　切入點(diǎn)：新絲綢之路　出處：《蘭州大學(xué)》2013年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：近年來(lái),日本NHK拍攝播出了相當(dāng)數(shù)量的中國(guó)題材紀(jì)錄片,從馳名遐邇的《絲綢之路》、《大黃河》、《故宮》到近來(lái)引起廣泛反響的《新絲綢之路》、《激流中國(guó)》等系列紀(jì)錄片,這些質(zhì)量上乘的優(yōu)秀作品,給世界觀眾留下深刻印象,也令歐美同類(lèi)媒體望塵莫及�！缎陆z綢之路》是NHK于2005年播出的大型系列紀(jì)錄片,這部紀(jì)錄片無(wú)論從立意、制作,還是從播出效果來(lái)看,都代表著NHK中國(guó)紀(jì)錄片的成熟面貌。在敘事方面,這部紀(jì)錄片是這一時(shí)期最具有代表性的作品之一。本文以NHK《新絲綢之路》為樣本,以敘事學(xué)為研究角度,運(yùn)用現(xiàn)代敘事學(xué)及影視敘事學(xué)理論方法,通過(guò)文本分析,從內(nèi)容元素與形式要素兩個(gè)大的層面來(lái)探究NHK中國(guó)題材記錄片的敘事特征。本文認(rèn)為,主題的一致性和跳躍性、內(nèi)容的故事化和情節(jié)化表述、以大歷史和小人物相結(jié)合的內(nèi)容敘述,共同構(gòu)成NHK《新絲綢之路》敘事的內(nèi)容層面；而對(duì)敘事元素、敘事視角、敘事人稱(chēng)靈活多變的運(yùn)用,則構(gòu)成其敘事的形式層面。為吸引本國(guó)受眾,NHK在制作《新絲綢之路》時(shí)植入本國(guó)的意識(shí)形態(tài)和價(jià)值觀念,并對(duì)所拍攝和闡述的文化進(jìn)行“去地化”和“再地化”,使國(guó)內(nèi)觀眾更容易接受和認(rèn)同其創(chuàng)作理念。同時(shí),NHK《新絲綢之路》系列紀(jì)錄片在敘事上給中國(guó)紀(jì)錄片提供成功的范本之余,也暴露出了自身存在的一些問(wèn)題和困難。
[Abstract]:In recent years, Japanese NHK has filmed and broadcast a considerable number of documentaries on China, ranging from the well-known Silk Road, the Great Yellow River, The Imperial Palace, to the New Silk Road, and the Rapids China, which have recently aroused widespread reaction. These excellent works of high quality have impressed the world's audiences, and have left similar media in Europe and the United States unmatched. The "New Silk Road" is a large-scale documentary series broadcast by NHK on 2005. This documentary film is no matter whether it is intended or produced. It also represents the mature appearance of the NHK documentary in China. In terms of narrative, this documentary is one of the most representative works of this period. This article takes NHK "the New Silk Road" as a sample. From the perspective of narratology, using modern narratology and film and television narratology theory, through text analysis, this paper probes into the narrative characteristics of NHK Chinese documentaries from the aspects of content elements and formal elements. The consistency and jump of the theme, the story and plot of the content, and the content narration of the big history and the small people together constitute the content level of the narration of NHK "New Silk Road", and the narrative elements, the narrative angle of view, The flexible use of narratives constitutes the formal level of their narration. In order to attract the local audience, NHK implanted its ideology and values in the production of the New Silk Road. In addition, the culture filmed and elaborated has been "de-localized" and "remade" to make it easier for domestic audiences to accept and identify with their creative ideas. At the same time, the NHK documentary series "New Silk Road" provides a model for the success of Chinese documentaries in terms of narrative narration. Also exposed the existence of some problems and difficulties.
【學(xué)位授予單位】：蘭州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J905

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