本文選題：《湄公河行動》　切入點(diǎn)：國產(chǎn)犯罪片　出處：《電影文學(xué)》2017年12期 　論文類型：期刊論文

【摘要】：由林超賢執(zhí)導(dǎo)的《湄公河行動》根據(jù)真實(shí)的重大案件改編,影片調(diào)動多國演員,轉(zhuǎn)換多地拍攝,一經(jīng)上映便收獲了大量好評,甚至被認(rèn)為為國產(chǎn)犯罪片提供了一個新的標(biāo)桿。而值得注意的是,《湄公河行動》的被肯定,一方面在于其故事原型的敏感性、對犯罪問題的批判性和反映社會問題的深刻性,另一方面也在于其緊緊抓住觀眾注意力的敘事策略。文章從敘事符碼、虛實(shí)敘事、敘事中的商業(yè)性三方面,分析《湄公河行動》的敘事邏輯。
[Abstract]:"Operation Mekong", directed by Lin Chao-hsien, is based on a real major case. The film mobilizes actors from many countries to film in many places. Once it is released, it has received a lot of favorable reviews. It is even considered to provide a new benchmark for domestic crime films. But it is worth noting that the affirmation of Operation Mekong lies on the one hand in the sensitivity of its story prototype, in its critical nature of crime and in reflecting the depth of social problems. On the other hand, it also focuses on the narrative strategy of the audience. This paper analyzes the narrative logic of Mekong Action from three aspects: the narrative code, the virtual narrative and the commercial narrative.
【作者單位】： 電子科技大學(xué)成都學(xué)院;
【分類號】：J905
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本文編號：1637476