《老炮兒》的京味兒電影藝術(shù)空間
發(fā)布時間:2018-03-19 14:17
本文選題:《老炮兒》 切入點:京味兒文化 出處:《電影文學》2017年01期 論文類型:期刊論文
【摘要】:電影《老炮兒》是管虎的最新導演作品,再一次將京味兒文化呈現(xiàn)在大銀幕。影片通過塑造曾經(jīng)的"北京頑主"六爺這一人物形象,表現(xiàn)了時代發(fā)展、社會變革下人們精神世界遭受的擠壓,以及京味兒文化代表的地域文化,在文化沖撞與融合過程中遭遇的消解。電影《老炮兒》從京味兒文化場域、京味兒人物形象再到京味兒語言藝術(shù),讓觀眾全方位地感受了影像化的京味兒文化空間,這種"京味兒文化"與"京味兒精神"也成為影片敘事、抒情的核心。
[Abstract]:The film "Old Guaner" is Guan Hu's latest director's work, which once again presents the culture of Beijing on the big screen. The film shows the development of the times by portraying the image of the once "Beijing recalcitrant Lord" as a character. The squeezing of people's spiritual world under the social change, and the regional culture represented by the culture of Beijing flavor, are dispelled in the process of culture collision and fusion. The characters' images of Jingwei children come to the language art of Jingwei children, which makes the audience feel the cultural space of Jingwei children in all directions. This kind of "Jingwei children's culture" and "Jingwei children's spirit" have also become the core of the narration and lyricism of the film.
【作者單位】: 黃河科技學院;
【基金】:課題項目“內(nèi)地高校民族預科生的民族觀教育探析”(項目編號:QSNYJ2015075)
【分類號】:J905
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本文編號:1634627
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