本文選題：明星化　切入點(diǎn)：好萊塢電影　出處：《電影藝術(shù)》2016年06期 　論文類型：期刊論文

【摘要】：當(dāng)代網(wǎng)狀敘事電影的興起與本文通過對(duì)20世紀(jì)50年代電影演員"去明星化"社會(huì)主義改造的分析,揭示新中國(guó)"十七年"時(shí)期"反對(duì)明星主義"文化的實(shí)質(zhì)是對(duì)資產(chǎn)階級(jí)明星個(gè)人主義、名利思想、審美觀的批判,以及對(duì)文藝的階級(jí)性和政治性的強(qiáng)調(diào)。"去明星化"文化根本上是反對(duì)資本主義文化,反對(duì)與社會(huì)主義所崇尚的集體精神和奉獻(xiàn)犧牲精神相悖的資本主義意識(shí)形態(tài),"明星"這一身份因此被極大地"污名化"。
[Abstract]:The rise of the contemporary network narrative film and the analysis of the socialist transformation of the film actor "destarring" in 1950s, It is revealed that the essence of the culture of "opposing star doctrine" in the "seventeen years" period of New China is a criticism of bourgeois star individualism, fame and wealth thought and aesthetic standards. And the emphasis on the class nature and political nature of literature and art. The culture of "de-star" is fundamentally opposed to capitalist culture. Against the capitalist ideology, which contradicts the collective spirit and the spirit of sacrifice advocated by socialism, the status of "star" is greatly stigmatized.
【作者單位】： 西北師范大學(xué)傳媒學(xué)院;
【基金】：西北師范大學(xué)青年教師科研能力提升計(jì)劃骨干項(xiàng)目階段性成果
【分類號(hào)】：J909.2
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本文編號(hào)：1630066