本文選題：《荒野獵人》　切入點：意識形態(tài)　出處：《電影文學(xué)》2017年01期 　論文類型：期刊論文

【摘要】：由導(dǎo)演亞利桑德羅·岡薩雷斯·伊納里多執(zhí)導(dǎo),演員萊昂納多·迪卡普里奧等主演的影片《荒野獵人》在內(nèi)地上映后取得了較高的票房以及電影界人士的關(guān)注。然而,這樣一部審視美國西部拓荒史、抱有極大人文訴求的藝術(shù)電影,也滲透進(jìn)了美國主流社會的意識形態(tài)。本文將在簡要梳理電影意識形態(tài)批評理論的基礎(chǔ)上,從個人英雄、宗教信仰、淡化處理的歷史真相三個角度分析《荒野獵人》中所包含的意識形態(tài)。
[Abstract]:"the Wild Hunter," directed by director Alessandro Gonz 謾 lez Inacio and starring Leonardo DiCaprio and others, has made a lot of money at the box office and the attention of the film industry since its release in the mainland. Such an art film, which examines the pioneering history of the western United States and has a great humanistic appeal, has also penetrated into the ideology of the mainstream American society. This article will briefly comb the theory of film ideology criticism from the perspective of individual heroes. Religious belief, desalination of historical truth, three angles of analysis of the wilderness hunter contained in the ideology.
【作者單位】： 北京交通大學(xué)語言與傳播學(xué)院;
【分類號】：J905
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本文編號：1627748