本文選題：影視造型　切入點：藝術特性　出處：《云南師范大學》2013年碩士論文　論文類型：學位論文

【摘要】：本文主要是從影視造型藝術與敘事手段兩個不同的角度對影視造型的藝術特征與敘事手法進行相關問題的研究。主要是通過對影視造型方式的不同特點進行綜合性總結(jié)分析，進而得出其在影視敘事過程中所扮演的不同角色，在此基礎上進而總結(jié)出影視造型藝術在敘事過程中的敘事手法，具體內(nèi)容如下： 第一部分是本文的緒論部分，重點在對國內(nèi)外相關研究進行研讀的基礎上，根據(jù)我國影視藝術的發(fā)展歷程，來對每個不同階段的影視藝術特征進行了大致的分類和分析，，對本文研究的背景進行了簡單的介紹，表明了本課題進行研究的目的、理論意義及現(xiàn)實意義，同時對本文研究所使用的研究方法進行了簡單的介紹。 第二部分主要是對影視造型與敘事之間的關系進行深入的總結(jié)分析。通過對典型影視作品進行分析可以得出一方面敘事對影視造型具有一定的決定性作用，敘事在一定程度上還能夠體現(xiàn)出影視造型的思想內(nèi)涵；另一方面影視造型是表現(xiàn)敘事的一種方法，影視造型還能夠不斷的豐富敘事以及影視造型能夠是敘事風格化。 第三部分開始對影視造型的藝術性特征進行了總結(jié)分析。依然是借助一些典型的個案，分別從影視造型的真實性和虛幻性、意境通過技術和藝術統(tǒng)一的展現(xiàn)及影視造型藝術的綜合性特征進行分析探討，為下文相關研究的開展奠定了一定的理論基礎。 第四部分主要是通過色彩造型、光造型、聲音造型及鏡頭之間的組合來對影視造型的敘事手法進行總結(jié)分析。由于不同的造型特征在影視作品創(chuàng)造過程中具有不同的作用，因此本文在對此進行分析過程中不僅僅局限在對這些影視語言進行分類和定義，而是通過大量典型的個案對每種要素在影視作品的作用進行闡述，同時對個案中使用的敘事策略進行不同程度上的分析。 最后將影視造型敘事與小說敘事、戲劇敘事之間的異同進行分析。得出了本文的研究結(jié)論：即成功的影視作品需要造型藝術與敘事手法的完美結(jié)合。
[Abstract]:This article is mainly from two different angles of film and television plastic arts and narrative means to study the artistic characteristics and narrative techniques of film and television modeling, mainly through the comprehensive summary and analysis of different characteristics of film and television modeling. Then get its different roles in the process of film and television narrative, and then summarize the narrative techniques of film and television plastic arts in the narrative process, the specific content is as follows:. The first part is the introduction of this paper, focusing on the domestic and foreign related research on the basis of the development of film and television art in China, to each stage of the film and television art characteristics of the roughly classified and analyzed. The background of this paper is briefly introduced, which shows the purpose, theoretical and practical significance of the research. At the same time, the research methods used in this paper are briefly introduced. The second part is a deep summary and analysis of the relationship between film and television modeling and narrative. Through the analysis of typical film and television works, it can be concluded that narrative plays a decisive role in film and television modeling. To a certain extent, narrative can also reflect the ideological connotation of film and television modeling; on the other hand, film and television modeling is a way to express narrative, film and television modeling can continue to enrich the narrative and film modeling can be narrative stylization. The third part begins to summarize and analyze the artistic features of film and television modeling. Artistic conception through the display of the unity of technology and art and the comprehensive characteristics of film and television plastic arts analysis and discussion, for the following related research to lay a certain theoretical foundation. The 4th part is mainly through the combination of color modeling, light modeling, sound modeling and lens to summarize and analyze the narrative techniques of film and television modeling. Because different modeling features play different roles in the process of creating film and television works, Therefore, this paper not only classifies and defines these film and television languages, but also elaborates the role of each element in the film and television works through a large number of typical cases. At the same time, the narrative strategies used in the case are analyzed in different degrees. Finally, the similarities and differences between film and television narrative and novel narrative, drama narration are analyzed, and the conclusion of this paper is drawn: the successful film and television works need the perfect combination of plastic arts and narrative techniques.
【學位授予單位】：云南師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J906

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