本文選題：影視作品　切入點(diǎn)：河南人形象　出處：《鄭州大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：在當(dāng)今社會，對河南人的關(guān)注和評論已經(jīng)成為一種特殊的社會現(xiàn)象。無論在影視和文化作品中還是其他傳播媒介中，對河南人形象的描述和塑造隨處可見。那些說著河南地區(qū)方言的人物角色也在觀眾們的心目中留下了深刻的印象。觀眾們通過這些人物形象不僅能夠找到屬于自己的文化類別，而且也能了解河南本土地區(qū)的文化特色。但是，通過分析不難發(fā)現(xiàn)這些文藝作品中塑造河南人形象大都是消極的，其中對于河南人形象的丑化和戲謔可見一斑。 本次研究將從近十年來影視作品中的河南人形象出發(fā)，探討不同的影視作品中河南人的形象特色。運(yùn)用影視理論，對兩類影視創(chuàng)作者所塑造的河南人形象進(jìn)行對比，分析產(chǎn)生這種現(xiàn)象的差異性以及成因。最后，運(yùn)用社會學(xué)和形象學(xué)的理論對真實(shí)的河南人形象進(jìn)行分析，對河南人形象的傳播、河南人形象與“社會總體想象物”的關(guān)系，以及河南人“他者”形象的社會基礎(chǔ)進(jìn)行闡述。 第一部分主要介紹近十年河南人形象的研究現(xiàn)狀以及本篇論文的研究目的與方法。從目前的研究現(xiàn)狀來看，以傳播學(xué)和社會學(xué)角度的研究成果居多。而應(yīng)用影視理論和形象學(xué)理論的研究較少，本次研究可填補(bǔ)這一領(lǐng)域的空白。本文主要運(yùn)用比較分析法和文獻(xiàn)調(diào)查法相結(jié)合的方式，對近十年中國影視作品中的河南人形象進(jìn)行梳理與歸類。 第二部分?jǐn)M對近十年中國影視作品中的河南人形象進(jìn)行分析和歸納。影視劇對人物形象塑造的方式有很多種，，可分為內(nèi)部形象和外部形象進(jìn)行塑造。其中內(nèi)部形象包括人物的性格和心理狀態(tài)的設(shè)定，而外部形象主要包括人物服裝、化妝和造型手段的運(yùn)用等。本部分主要對河南人影視形象的塑造方式進(jìn)行探討。 第三部分將論述兩類影視劇創(chuàng)作者對河南人“他者”形象的塑造。通過對本土影視創(chuàng)作者和非本土影視創(chuàng)作者的對比，了解其呈現(xiàn)出的河南人形象的具體差異。通過觀看的距離和頻次、觀看者視角和身份、觀看者的經(jīng)驗(yàn)和先見來比較和分析產(chǎn)生差異的原因。 第四部分從影視作品中的河南人形象的論文推延至生活中的河南人形象，解讀現(xiàn)實(shí)生活中的河南人形象，以及形成河南人形象的不同因素。接著對河南人形象的內(nèi)涵進(jìn)行分析，從現(xiàn)實(shí)生活中河南人形象的傳播和公眾對河南人形象的想象，以及河南人“他者”形象的社會基礎(chǔ)進(jìn)行分別論述，展示河南人最自然和本真的形象。為河南人形象的重塑提供有效的理論支持。
[Abstract]:In today's society, it has become a special social phenomenon to pay attention to and comment on Henan people. Whether in film, television or cultural works or in other media, The description and portrayal of Henan people's images can be seen everywhere. The characters who speak Henan dialect have also left a deep impression on the audience. Through these characters, the audience can not only find their own cultural category, But it is not difficult to find out that the image of Henan people in these literary and artistic works is mostly negative, among which the ugliness and banter of Henan people's image can be seen. Starting from the images of Henan people in film and television works in the past ten years, this study will explore the image characteristics of Henan people in different film and television works. Using the theory of film and television, we will compare the images of Henan people created by the two kinds of film and television creators. Finally, using the theory of sociology and imageology to analyze the real Henan people's image, to analyze the dissemination of Henan people's image, the relationship between Henan people's image and "the overall social imagination". As well as Henan people's "other" image of the social basis to elaborate. The first part mainly introduces the present research situation of Henan people's image in the past ten years and the purpose and method of this paper. Most of the research results are from the angle of communication and sociology. However, there are few studies on the application of film and television theory and image theory. This research can fill the gap in this field. This paper mainly uses the method of comparative analysis and literature survey. This paper sorts out and classifies the images of Henan people in Chinese film and television works in the past ten years. The second part is to analyze and summarize the images of Henan people in Chinese film and television works in the past ten years. There are many ways of portraying characters in movies and TV dramas. It can be divided into internal image and external image, in which the internal image includes the character and the mental state of the character, while the external image mainly includes the figure clothing, Application of makeup and modeling methods. This part mainly discusses the way of shaping the film and television image of Henan people. The third part will discuss two kinds of film and TV drama creators to the Henan people "other person" image molding, through the contrast to the native film and television creators and non-native film and television creators, Through the distance and frequency of viewing, the visual angle and identity of the viewer, the experience and foresight of the viewer to compare and analyze the reasons for the difference. The 4th part extends from the thesis of Henan people's image in the film and television works to the Henan people's image in the life, and interprets the Henan people's image in the real life. Then the connotation of Henan people's image is analyzed, and the dissemination of Henan people's image and public imagination of Henan people's image in real life are analyzed. And the social basis of the "other" image of Henan people is discussed separately to show the most natural and authentic image of Henan people and to provide effective theoretical support for the reconstruction of Henan people's image.
【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

【參考文獻(xiàn)】

相關(guān)期刊論文 前9條

1 郭宏斌;;地域歧視形象的社會建構(gòu)分析[J];甘肅社會科學(xué);2010年02期

2 王保國;;文化紐帶與國家統(tǒng)一——以中原文化為中心[J];河南師范大學(xué)學(xué)報(哲學(xué)社會科學(xué)版);2006年03期

3 張向東;河洛文化與河南人[J];社會科學(xué)家;2005年02期

4 錢雪梅;論文化認(rèn)同的形成和民族意識的特性[J];世界民族;2002年03期

5 劉雙,劉萬云;河南人的性格特征及其形成的原因[J];天中學(xué)刊;2000年04期

6 張月;觀看與想像——關(guān)于形象學(xué)和異國形象[J];鄭州大學(xué)學(xué)報(哲學(xué)社會科學(xué)版);2002年03期

7 劉成紀(jì);;關(guān)于中原文化的三個基本問題[J];鄭州大學(xué)學(xué)報(哲學(xué)社會科學(xué)版);2007年06期

8 吳圣剛;;中原文化生態(tài)及其特征[J];中州學(xué)刊;2006年01期

9 楊云香;;論中原文化在中華民族精神形成中的作用[J];中州學(xué)刊;2008年05期

本文編號：1626537