本文選題：肌理　切入點：動畫片　出處：《藝術(shù)工作》2017年05期 　論文類型：期刊論文

【摘要】：正一、肌理在影片中的點睛肌理是指物質(zhì)內(nèi)在質(zhì)地構(gòu)造的外在表現(xiàn),即物質(zhì)的表面質(zhì)感,它是各種不同資料和不同構(gòu)造的物質(zhì)給予人們感官上不同特征反映的總稱。用簡單的語言來總結(jié)就是肌理是物體表面的紋路,所有的物體都有表面,不同的物體表面就有各自不同的紋理,從視覺、觸覺兩方面都給我們帶來不同的感受。在構(gòu)成中,肌理的創(chuàng)作方法很多,有些是物質(zhì)本身的、與生俱來的,如粗質(zhì)的樹皮、堅硬的石頭、毛茸茸的毛皮、細小的尖刺等。而藝術(shù)家們更多的是從
[Abstract]:First, the texture in the film refers to the external manifestation of the inner texture of the material, that is, the surface texture of the material. It is a sum of different materials and materials that give people different sensory features. In simple language, the texture is the grain of the surface of the object, and all objects have a surface. Different surfaces have their own textures, which give us different feelings in terms of vision and touch. In the composition, there are many ways to create texture, some of which are inherent in matter itself, such as rough bark. Hard stones, furry furs, tiny spikes, etc.
【分類號】：J954
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本文編號：1625337