本文選題：紀(jì)錄片　切入點(diǎn)：人文關(guān)懷　出處：《福建師范大學(xué)》2014年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：從紀(jì)錄片出現(xiàn)至今,關(guān)于紀(jì)錄片的話題就從沒(méi)停止過(guò),隨著我國(guó)視言技術(shù)的發(fā)展與理念的進(jìn)步,紀(jì)錄片也發(fā)生了相應(yīng)的改變。創(chuàng)作紀(jì)錄片的目的不僅僅是記錄,人們也在探討紀(jì)錄片所擔(dān)任的社會(huì)責(zé)任和對(duì)現(xiàn)實(shí)的影響,人文關(guān)懷就成為紀(jì)錄片創(chuàng)作中的一個(gè)重點(diǎn),在追求藝術(shù)價(jià)值、美麗畫(huà)面的同時(shí),創(chuàng)作者對(duì)真實(shí)性的堅(jiān)守和對(duì)人性的挖掘也成為衡量紀(jì)錄片價(jià)值的一個(gè)方面,這就要求我們?cè)诩o(jì)錄片創(chuàng)作過(guò)程中更多的去關(guān)注人物的內(nèi)心世界。 筆者經(jīng)過(guò)幾個(gè)月的拍攝制作,完成了紀(jì)錄片《高原放映員》,筆者將結(jié)合實(shí)際創(chuàng)作過(guò)程中遇到的問(wèn)題,來(lái)對(duì)紀(jì)錄片中的人文關(guān)懷進(jìn)行簡(jiǎn)要分析、論述。 世界上第一部紀(jì)錄片《北方的那努克》誕生至今,關(guān)于紀(jì)錄片的人文關(guān)懷問(wèn)題的探討從沒(méi)停止過(guò),包括創(chuàng)作者對(duì)拍攝對(duì)象的人文關(guān)懷,紀(jì)錄片主題選擇的人文關(guān)懷,細(xì)節(jié)真實(shí)中體現(xiàn)的人文關(guān)懷等。紀(jì)錄片發(fā)展到現(xiàn)在,紀(jì)錄片的創(chuàng)作目的遠(yuǎn)不止于真實(shí)記錄,人們也在探討紀(jì)錄片所擔(dān)任的社會(huì)責(zé)任和對(duì)現(xiàn)實(shí)的影響問(wèn)題,人文關(guān)懷成為紀(jì)錄片創(chuàng)作中的一個(gè)重點(diǎn)。在追求真實(shí)性與藝術(shù)性并舉的紀(jì)錄片創(chuàng)作同時(shí),人性深度的挖掘成為衡量紀(jì)錄片價(jià)值的一個(gè)方面,這就要求創(chuàng)作者從人文關(guān)懷角度出發(fā)去審度紀(jì)錄片。 筆者經(jīng)過(guò)幾個(gè)月的拍攝制作,完成紀(jì)錄片《高原放映員》的創(chuàng)作,筆者將結(jié)合實(shí)際創(chuàng)作過(guò)程中遇到的問(wèn)題,對(duì)紀(jì)錄片中的人文關(guān)懷問(wèn)題進(jìn)行簡(jiǎn)要的分析和論述。
[Abstract]:Since the emergence of the documentary, the topic of documentary has never stopped. With the development of the technology and the development of the concept, the documentary has also changed accordingly. The purpose of creating the documentary is not just to record, People are also discussing the social responsibility of documentary and its impact on reality. Humanistic concern has become a key point in documentary creation. While pursuing artistic value and beautiful pictures, The creators' adherence to authenticity and the excavation of human nature have become an aspect of measuring the value of documentary, which requires us to pay more attention to the inner world of characters in the process of documentary creation. After several months of shooting, the author has completed the documentary documentary "Highland projector". The author will briefly analyze and discuss the humanistic concern in the documentary with the problems encountered in the process of actual creation. Since the birth of the world's first documentary, "Nanook in the North," the discussion on the humanistic care of documentaries has never stopped, including the humanistic concern of the creators for the subjects they shoot and the humanistic concern for the choice of the documentary's theme. The humanistic concern embodied in the reality of detail and so on. The documentary has developed to the present. The purpose of documentary creation goes far beyond the real record. People are also discussing the social responsibility and the impact on reality of the documentary. Humanistic solicitude has become an important part of documentary creation. At the same time, the excavation of the depth of human nature has become an aspect of measuring the value of documentaries, while pursuing the creation of documentaries with both authenticity and artistry. This requires creators to review documentaries from the point of view of humanistic concern. After several months of shooting, the author finished the creation of documentary documentary "Highland projectionist". The author will briefly analyze and discuss the humanistic concern in the documentary with the problems encountered in the process of actual creation.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J952

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本文編號(hào)：1621577