本文選題：電影本體　切入點(diǎn)：電影媒介　出處：《電影文學(xué)》2017年15期 　論文類型：期刊論文

【摘要】：本文以國(guó)內(nèi)電影媒介快速發(fā)展變遷所帶來(lái)的"本體焦慮"狀況為論述起點(diǎn),從對(duì)電影媒介內(nèi)外部因素變遷所形成本體挑戰(zhàn)的狀況梳理,到對(duì)這種變遷形成原因與表現(xiàn)的論述。在此基礎(chǔ)上,闡釋了當(dāng)下電影概念由"運(yùn)動(dòng)影像"轉(zhuǎn)變?yōu)?影院敘事體"的指向偏移,電影本體觀念則是在資本趨利性的前提下,由"科技本體"向"藝術(shù)本體"進(jìn)行嬗變,并就當(dāng)下電影業(yè)諸種本體爭(zhēng)論現(xiàn)象,闡明了電影本體觀念隨著多媒介化發(fā)展而不斷嬗變的特征。
[Abstract]:This paper begins with the situation of "Noumenon anxiety" brought by the rapid development of domestic film media, and combs the situation of Noumenon challenges formed by the changes of internal and external factors in the film media. On the basis of the discussion of the causes and manifestations of this change, this paper explains the change of the concept of film from "moving image" to "narrative body of cinema", and the concept of film ontology is based on the premise of capitalization. From "Science and Technology Noumenon" to "Art Noumenon", this paper expounds the characteristics of the constant evolution of the concept of Film Noumenon with the development of multi-media.
【作者單位】： 四川傳媒學(xué)院;
【分類號(hào)】：J905
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本文編號(hào)：1577661