本文關(guān)鍵詞： 《驢得水》 三美 藝術(shù)特色　出處：《電影文學(xué)》2017年12期 　論文類型：期刊論文

【摘要】：影片《驢得水》在看似不經(jīng)意的三次剪發(fā)、三次下跪、三次流淚等細(xì)節(jié)中,勾連起了影片的主題、人物的塑造與文本的敘事,是觀眾管窺影片主題、人物、敘事等藝術(shù)成就的鏡子。三次剪發(fā)構(gòu)成了整個(gè)故事的隱喻,成為刻畫人物形象、揭示人物命運(yùn)結(jié)局及影片主題的有力注腳。三次下跪更是"跪"出了影片的三重主題。三次流淚則完成了對(duì)人物形象入木三分的塑造。一個(gè)個(gè)"三"的疊加,造就了一部情節(jié)一波三折、主題一唱三嘆的優(yōu)秀影片,可謂"舉三反一"。
[Abstract]:The film "Donkey Water" in the seemingly inadvertent three haircuts, three kneeling, three tears and other details, the film's theme, character shaping and text narration, is the audience peep at the film theme, characters, The mirror of artistic achievement such as narrative. Three haircuts constitute the metaphor of the whole story and become the portrayal of the characters. To reveal the fate of the character and the theme of the powerful footnotes. Three kneeling is "kneel" out of the film's triple theme. Three tears to complete the image of the character into a three-point. One by one "three" superposition, The creation of a twists and turns of the plot, the theme of the excellent film, can be described as "lift three against one."
【作者單位】： 山東藝術(shù)學(xué)院傳媒學(xué)院;
【分類號(hào)】：J905
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本文編號(hào)：1543100