本文關(guān)鍵詞： 張艾 五月風(fēng)暴 維爾托夫 大島渚 巴以沖突 影評人 影片拍攝 一個女性 三級會議 人民解放陣線 　出處：《新美術(shù)》2016年10期 　論文類型：期刊論文

【摘要】：正感謝張艾弓發(fā)出這次前往我們過往的旅行邀請。因為時代是共同的,所以我說"我們的",并且,我談?wù)摰倪@部電影是由六位導(dǎo)演共同拍攝的,其中的兩位今天均在場。1首先,簡要提一下我是怎樣參與到這個"梵森電影小組"[Groupe cinema de Vincennes]中的特殊經(jīng)歷,這個小組源自梵森大學(xué)的電影系。即使早在1965年我便有了一位親中的馬克思-列寧主義者朋友,但直至1968年"五月風(fēng)暴",我20歲時,才在政治上變得激進,成為了"左翼人士"。"造反有理"。我是電影學(xué)院[IDHEC]"監(jiān)制-剪輯"系的學(xué)生,那時我們占領(lǐng)了這個系,我也主動作為本系的代表參與召集了所有"職業(yè)電影人"一起
[Abstract]:I am thanking Zhang for his invitation to travel to us this time. Because the times are common, so I say "ours," and I am talking about a film made by six directors, two of whom are present today. Briefly mention how I got involved in the special experience of this "Groupe cinema de Vincennes," a film department at the University of Vatican. Even in 1965, I had a pro-Chinese Marxist-Leninist friend. But it wasn't until the May Storm in 1968, when I was 20 years old, that I became politically radical and became a "leftwing man." "Rebellion is justified." I was a student at the Film Academy [IDHEC], "Supervisor-Editing," when we took over the department. I also took the initiative as a representative of the department to bring together all the "professional filmmakers"
【作者單位】： 巴黎第八(梵森)大學(xué)電影系;
【分類號】：J905

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