國(guó)產(chǎn)動(dòng)畫(huà)原畫(huà)創(chuàng)作的分析與研究
發(fā)布時(shí)間:2018-02-27 07:21
本文關(guān)鍵詞: 國(guó)產(chǎn)動(dòng)畫(huà) 原畫(huà)創(chuàng)作 表演 創(chuàng)意 人才培養(yǎng) 出處:《西安工程大學(xué)》2013年碩士論文 論文類(lèi)型:學(xué)位論文
【摘要】:原畫(huà)是動(dòng)畫(huà)設(shè)計(jì)角色動(dòng)作、形態(tài)、速度刻畫(huà)的一個(gè)重要元素,對(duì)動(dòng)畫(huà)創(chuàng)作具有重要的指導(dǎo)作用。動(dòng)畫(huà)表演的核心就是原畫(huà)設(shè)計(jì),原畫(huà)設(shè)計(jì)包含表演、動(dòng)作、姿勢(shì)三層內(nèi)容。表演是有思想、有靈魂、有某種身份和條件的代表某種意志的動(dòng)作集合,表演是目的,動(dòng)作是手段,姿勢(shì)是關(guān)鍵。動(dòng)作和姿勢(shì)是為了更好地表演,三者相互關(guān)聯(lián)。 通過(guò)對(duì)動(dòng)畫(huà)原畫(huà)知識(shí)和理論的梳理,對(duì)國(guó)產(chǎn)動(dòng)畫(huà)的原畫(huà)創(chuàng)作的發(fā)展歷程的了解及對(duì)處于輝煌時(shí)期的國(guó)產(chǎn)動(dòng)畫(huà)創(chuàng)作的艱辛過(guò)程及豐富成果的認(rèn)識(shí),可知強(qiáng)調(diào)思想性,重視以健康的內(nèi)容引導(dǎo)觀眾是中國(guó)動(dòng)畫(huà)的優(yōu)良傳統(tǒng)。堅(jiān)持民族繪畫(huà)是中國(guó)動(dòng)畫(huà)的藝術(shù)特點(diǎn)。國(guó)產(chǎn)動(dòng)畫(huà)繼承了中國(guó)傳統(tǒng)文化的美學(xué)觀念,力求做到民族化的故事和情節(jié);國(guó)產(chǎn)動(dòng)畫(huà)中人物的舉手投足和伸展變化都追求節(jié)奏和韻律感,故事的敘事注重教化性的結(jié)論而非敘事過(guò)程,注重教育性的結(jié)局而非欣賞過(guò)程。中國(guó)動(dòng)畫(huà)在繪畫(huà)和戲曲的影響下,形成了意象化和教化性的獨(dú)特風(fēng)格。中國(guó)傳統(tǒng)繪畫(huà)和民間藝術(shù)形式為動(dòng)畫(huà)的創(chuàng)作創(chuàng)意提供豐富素材。這也正是國(guó)產(chǎn)動(dòng)畫(huà)的原畫(huà)創(chuàng)作的源泉。 國(guó)外動(dòng)畫(huà)原畫(huà)創(chuàng)作則有著不同的特點(diǎn)。注重動(dòng)畫(huà)的故事性和趣味性是美國(guó)動(dòng)畫(huà)的創(chuàng)作重心。美國(guó)動(dòng)畫(huà)片注重劇情,情節(jié)跌宕起伏,故事生動(dòng)有趣,人物性格鮮明,音樂(lè)婉轉(zhuǎn)優(yōu)美,,細(xì)節(jié)的刻畫(huà)精到;動(dòng)畫(huà)動(dòng)作設(shè)計(jì)大幅度夸張——大頭、大眼、大角、大手;多以喜劇的方式作為結(jié)局,盡全力迎合廣大觀眾的心理和審美需求,做到了雅俗共賞。日本動(dòng)畫(huà)的創(chuàng)作不再注重過(guò)去,而是轉(zhuǎn)向現(xiàn)在,轉(zhuǎn)向世界和宇宙,有新的觀念和方法——對(duì)傳統(tǒng)的和外來(lái)的文化進(jìn)行現(xiàn)代化改造,注重整體的素質(zhì)和能力,更多地關(guān)注思想、關(guān)注人類(lèi),具有開(kāi)拓創(chuàng)新的精神。日本動(dòng)畫(huà)注重手工繪制,力求做到寫(xiě)實(shí)。寫(xiě)實(shí)的風(fēng)格、細(xì)膩的畫(huà)工、精致的畫(huà)面使日本動(dòng)畫(huà)形成了一種唯美的繪畫(huà)風(fēng)格,創(chuàng)作出了針對(duì)社會(huì)不同年齡、不同層次人群觀看和欣賞的動(dòng)畫(huà)片。運(yùn)用比較分析的研究方法,尋找國(guó)產(chǎn)動(dòng)畫(huà)原畫(huà)與國(guó)外動(dòng)畫(huà)原畫(huà)的創(chuàng)作思路的異同,進(jìn)而借鑒國(guó)外動(dòng)畫(huà)原畫(huà)創(chuàng)作中的特點(diǎn),尋求國(guó)產(chǎn)動(dòng)畫(huà)原畫(huà)創(chuàng)作的新思路和新方法,推動(dòng)國(guó)產(chǎn)動(dòng)畫(huà)的發(fā)展,為國(guó)產(chǎn)動(dòng)畫(huà)片的原畫(huà)創(chuàng)作提供了堅(jiān)實(shí)的文化基礎(chǔ)和豐富的靈感來(lái)源。通過(guò)以上研究發(fā)現(xiàn),國(guó)產(chǎn)動(dòng)畫(huà)原畫(huà)的發(fā)展需要做出以下調(diào)整:走市場(chǎng)化運(yùn)營(yíng)、培養(yǎng)動(dòng)畫(huà)原畫(huà)創(chuàng)作的專(zhuān)業(yè)人才,加大國(guó)家政策扶持力度,走題材國(guó)際化全球化,民族資源世界化、受眾大眾化的道路。
[Abstract]:The original painting is an important element in the character action, form and speed of animation design, which plays an important guiding role in animation creation. The core of animation performance is the original design, the original design includes performance, action, Acting is a collection of actions with thoughts, souls, certain identities and conditions that represent a certain will. Acting is an end, action is a means, posture is the key. Action and posture are for better performance. The three are interrelated. Through the combing of the knowledge and theory of the original animation, the understanding of the development course of the original painting of the domestic animation and the hard process and rich achievements of the domestic animation creation in the glorious period, we can know that it emphasizes the ideological content. Attaching importance to guiding the audience with healthy content is the fine tradition of Chinese animation, insisting that national painting is the artistic characteristic of Chinese animation. Domestic animation inherits the aesthetic concept of Chinese traditional culture and strives to achieve nationalization of the story and plot. In the domestic animation, the characters' change and extension pursue rhythm and rhythm, the narrative of the story pays attention to the conclusion of enlightenment rather than the process of narration, the educational ending rather than the process of appreciation. Chinese animation is influenced by painting and drama. The traditional Chinese painting and folk art form provide rich materials for the creative creation of animation, which is the source of the original painting creation of domestic animation. Foreign animation original painting creation has different characteristics. Attention to animation story and interest is the focus of American animation. American animation focuses on the plot, the plot ups and downs, the story vivid and interesting, the character is bright, the American animation pays attention to the plot, the plot is ups and downs, the story is vivid and interesting, the character is bright, The music is graceful and detailed, and the animation action design is greatly exaggerated-big head, big eyes, big angle, big hand; more comedy as the ending, do everything possible to cater to the psychological and aesthetic needs of the general audience. Japanese animation no longer emphasizes the past, but turns to the present, to the world and to the universe. There are new ideas and methods to modernize traditional and foreign cultures, and to focus on the overall quality and ability. Pay more attention to thought, pay attention to human beings, have pioneering and innovative spirit. Japanese animation pays attention to hand drawing, strive to be realistic. Realistic style, exquisite painters, exquisite picture make Japanese animation form a kind of beautiful painting style. We have created animations aimed at people of different ages and different levels of society to watch and enjoy. By using the method of comparative analysis, we have looked for the similarities and differences in the creative ideas between the original animation paintings made in China and those in foreign countries. Then draw lessons from the characteristics of foreign animation original painting creation, seek new ideas and methods of domestic animation original painting creation, promote the development of domestic animation, It provides a solid cultural foundation and rich source of inspiration for the original painting of domestic animation. Through the above research, it is found that the development of the original picture of domestic animation needs to make the following adjustments: take the market-oriented operation, To train the professional talents of animation original painting, to increase the support of national policy, to take the road of internationalized globalization of subject matter, the globalization of national resources, and the popularization of audiences.
【學(xué)位授予單位】:西安工程大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類(lèi)號(hào)】:J954
【參考文獻(xiàn)】
相關(guān)期刊論文 前3條
1 祝明杰;;拯救母親的歌者——?jiǎng)赢?huà)片《寶蓮燈》解讀[J];電影文學(xué);2007年16期
2 陳劍雨;;從三句話到一部影片——評(píng)動(dòng)畫(huà)片《三個(gè)和尚》[J];電影藝術(shù);1982年01期
3 李高華;20世紀(jì)90年代美國(guó)動(dòng)畫(huà)電影綜述(上)[J];吉林藝術(shù)學(xué)院學(xué)報(bào);2001年04期
本文編號(hào):1541695
本文鏈接:http://sikaile.net/wenyilunwen/dianyingdianshilunwen/1541695.html
最近更新
教材專(zhuān)著