本文關(guān)鍵詞： 圓形循環(huán)模式 情意結(jié)模式 荒誕 虛無(wú) 絕望　出處：《電影文學(xué)》2017年19期 　論文類型：期刊論文

【摘要】：電影《最愛(ài)》用神話原型批評(píng)的理論,在對(duì)原型的塑造中,用圓形循環(huán)模式和情意結(jié)模式進(jìn)行敘事,以趙得意、商琴琴曲折的愛(ài)情故事為藍(lán)本,通過(guò)娘娘村人對(duì)熱病人以及趙得意、商琴琴的愛(ài)情的冷漠、歧視、隔離的探究,再現(xiàn)了娘娘村人的冷漠、庸俗、自私、灰暗的生存狀況,描繪出一個(gè)荒誕、虛無(wú)、頹廢、絕望的世界,揭示了在絕癥面前,人的內(nèi)心世界的荒原性和人世的荒誕性,令人沉痛,催人深思。
[Abstract]:The film "favorite" uses the theory of mythological archetypal criticism, in the molding of archetypes, uses the circular cycle model and the complex model to narrate, based on the zigzag love story of Zhao Cai and the piano and piano. Through the indifferent, discriminatory and segregated inquiry of Niangniang Village people to the hot patients and the love of Zhao Cai and the harp, it reappears the indifferent, vulgar, selfish and gray living conditions of the Niangniang Village people, and depicts a absurd, nihilistic, decadent, decadent situation. The desperate world reveals the desolation of man's inner world and the absurdity of the world in the face of terminally ill disease, which makes people sad and thought-provoking.
【作者單位】： 貴州商學(xué)院;
【分類號(hào)】：J905
，

本文編號(hào)：1535473