本文關鍵詞： 圓形循環(huán)模式 情意結模式 荒誕 虛無 絕望　出處：《電影文學》2017年19期 　論文類型：期刊論文

【摘要】：電影《最愛》用神話原型批評的理論,在對原型的塑造中,用圓形循環(huán)模式和情意結模式進行敘事,以趙得意、商琴琴曲折的愛情故事為藍本,通過娘娘村人對熱病人以及趙得意、商琴琴的愛情的冷漠、歧視、隔離的探究,再現了娘娘村人的冷漠、庸俗、自私、灰暗的生存狀況,描繪出一個荒誕、虛無、頹廢、絕望的世界,揭示了在絕癥面前,人的內心世界的荒原性和人世的荒誕性,令人沉痛,催人深思。
[Abstract]:The film "favorite" uses the theory of mythological archetypal criticism, in the molding of archetypes, uses the circular cycle model and the complex model to narrate, based on the zigzag love story of Zhao Cai and the piano and piano. Through the indifferent, discriminatory and segregated inquiry of Niangniang Village people to the hot patients and the love of Zhao Cai and the harp, it reappears the indifferent, vulgar, selfish and gray living conditions of the Niangniang Village people, and depicts a absurd, nihilistic, decadent, decadent situation. The desperate world reveals the desolation of man's inner world and the absurdity of the world in the face of terminally ill disease, which makes people sad and thought-provoking.
【作者單位】： 貴州商學院;
【分類號】：J905
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本文編號：1535473