本文關(guān)鍵詞： 語(yǔ)言 言語(yǔ) 神話原型 縱聚合體 單鏡頭獨(dú)立語(yǔ)義段　出處：《當(dāng)代電影》2017年01期 　論文類(lèi)型：期刊論文

【摘要】：萬(wàn)瑪才旦的電影,敘事極其簡(jiǎn)單,卻為何能產(chǎn)生一種強(qiáng)大的魅力?其根本原因在于他的電影是一種語(yǔ)言學(xué)意義上的電影。本文借助索緒爾的語(yǔ)言學(xué)理論,對(duì)萬(wàn)瑪才旦的電影進(jìn)行了詳細(xì)分析:萬(wàn)瑪才旦的電影偏重于神話原型結(jié)構(gòu)的追尋,偏重于縱聚合體式的敘述方式,側(cè)重于單鏡頭獨(dú)立語(yǔ)義段的運(yùn)用……而恰恰是因?yàn)檫@些,萬(wàn)瑪才旦的電影自成系統(tǒng),自成"語(yǔ)言"。
[Abstract]:Wanma-dan 's film, the narrative is extremely simple, but why can produce a strong charm? The fundamental reason is that his film is a kind of film in the sense of linguistics. This paper, with the help of Saussure's linguistic theory, makes a detailed analysis of the film of Wan Maccaidan: the film of Wan Maccaidan emphasizes on the pursuit of the mythological archetypal structure. Emphasis is placed on the narrative style of longitudinal aggregation, focusing on the use of single shot independent semantic segments, and precisely because of these, Wanma-Caidan 's films form their own system and become their own "language".
【作者單位】： 上海戲劇學(xué)院戲文系;
【基金】：國(guó)家社會(huì)科學(xué)基金項(xiàng)目(項(xiàng)目編號(hào):16BZW157)的階段性成果
【分類(lèi)號(hào)】：J911
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本文編號(hào)：1523852