本文關(guān)鍵詞： 電影 文學(xué) 鄉(xiāng)土小說(shuō) 重構(gòu)　出處：《西安建筑科技大學(xué)》2013年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：電影從誕生之日開(kāi)始，與文學(xué)就保持著密不可分的關(guān)系，這首先表現(xiàn)在電影在成長(zhǎng)發(fā)展過(guò)程中，受到包括文學(xué)在內(nèi)的各門(mén)成熟藝術(shù)的影響。 中國(guó)當(dāng)代鄉(xiāng)土小說(shuō)與電影藝術(shù)關(guān)系也非常密切，鄉(xiāng)土電影與原著小說(shuō)的關(guān)系研究是電影與文學(xué)研究的拓展�？梢哉f(shuō)，當(dāng)代鄉(xiāng)土小說(shuō)作品為鄉(xiāng)土電影提供了廣泛的劇本來(lái)源，國(guó)內(nèi)鄉(xiāng)土電影市場(chǎng)之所以繁榮，當(dāng)代鄉(xiāng)土小說(shuō)功不可沒(méi)。 從撰稿者、文本、受眾、語(yǔ)言風(fēng)格、手段、美學(xué)等角度而言，小說(shuō)和電影是兩種完全不同的傳播媒介。按照麥克盧漢的觀點(diǎn)，小說(shuō)屬于冷媒介，所提供的信息少，讓接受者的參與程度高；而電影屬于熱媒介，所提供的信息多，從而讓接受者的參與程度低。 以當(dāng)代鄉(xiāng)土小說(shuō)與鄉(xiāng)土電影為例，就會(huì)發(fā)現(xiàn)這二者擁有對(duì)鄉(xiāng)土生活狀況的傳遞以及時(shí)代、地域?qū)θ说男睦碓斐傻淖兓纳羁唐饰�，�?dāng)代鄉(xiāng)土小說(shuō)、鄉(xiāng)土電影在藝術(shù)情感的表達(dá)、獨(dú)特的文化闡釋和深刻的歷史感悟上達(dá)成了完美的融合。特別是前者關(guān)于地域、民族、時(shí)代、發(fā)展的表達(dá)成為了后者的核心，并以此提升了電影藝術(shù)的思想深度和藝術(shù)感染力。后者對(duì)當(dāng)前者的改編，既有遵循、繼承的痕跡，也有在故事情節(jié)、人物形象、視聽(tīng)影音等方面的再創(chuàng)造、再加工的過(guò)程，實(shí)現(xiàn)了對(duì)原作的轉(zhuǎn)意，從而在整體上起到了重構(gòu)作用。 基于以上認(rèn)識(shí)，本人從對(duì)電影藝術(shù)的個(gè)人興趣出發(fā)，結(jié)合自己近年來(lái)以當(dāng)代鄉(xiāng)土小說(shuō)為主的文學(xué)作品的研讀，對(duì)電影藝術(shù)與當(dāng)代鄉(xiāng)土小說(shuō)之間的相互影響進(jìn)行了初步的觀察和思考，最終選擇以“電影藝術(shù)對(duì)當(dāng)代鄉(xiāng)土小說(shuō)的重構(gòu)”作為畢業(yè)論文的研究課題。 本論文在力求對(duì)當(dāng)代鄉(xiāng)土小說(shuō)、電影藝術(shù)兩者在相互交融中出現(xiàn)的狀況進(jìn)行探討和論述的基礎(chǔ)上，試圖更多地側(cè)重分析當(dāng)代鄉(xiāng)土小說(shuō)如何更好地借用于電影藝術(shù)的科技手段得以重新構(gòu)建，以及這二者之間如何相得益彰，進(jìn)行一些有益的探索。 本論文主體內(nèi)容分為四個(gè)部分。論文的第一部分從論述研究背景、研究現(xiàn)狀入手，去呈現(xiàn)基本思路及內(nèi)容，并揭示課題的研究意義；第二部分重點(diǎn)闡述鄉(xiāng)土小說(shuō)的內(nèi)涵和發(fā)展，對(duì)十七年中國(guó)鄉(xiāng)土小說(shuō)、“文革”時(shí)期鄉(xiāng)土小說(shuō)、新時(shí)期鄉(xiāng)土小說(shuō)、鄉(xiāng)土小說(shuō)的多元化發(fā)展進(jìn)行了較為系統(tǒng)的詮釋?zhuān)坏谌糠种饕撌鲭娪八囆g(shù)與當(dāng)代鄉(xiāng)土小說(shuō)的關(guān)系，由于電影藝術(shù)與科學(xué)技術(shù)的進(jìn)步密不可分，故而對(duì)當(dāng)代鄉(xiāng)土小說(shuō)的文本轉(zhuǎn)變?yōu)閳D本時(shí)起到了重要作用；第四部分在探討的基礎(chǔ)上梳理電影藝術(shù)對(duì)當(dāng)代鄉(xiāng)土小說(shuō)的繼承與轉(zhuǎn)意，主要通過(guò)對(duì)還原敘事、藝術(shù)創(chuàng)造、內(nèi)涵拓展、精神圖景、傳播媒介等層面進(jìn)行探討，并提出了建議與思考。 本論文所作的研究與探索，是國(guó)家社科基金西部專(zhuān)項(xiàng)“當(dāng)代文學(xué)的新鄉(xiāng)土敘事比較研究”（2011年度，，立項(xiàng)號(hào)：11XZW019）子課題之一。
[Abstract]:Film has been closely related to literature since its birth, which is first reflected in the influence of various mature arts, including literature, in the process of its growth and development. The relationship between Chinese contemporary local novels and film art is also very close. The study of the relationship between local films and original novels is an extension of the study of film and literature. Contemporary vernacular novels provide a wide range of screenplay sources for local films, and the prosperity of the local film market in China has contributed to the contemporary vernacular novels. From the angle of writer, text, audience, language style, means and aesthetics, novels and movies are two completely different media. According to McLuhan, novels belong to cold media. The low level of information provided allows for a high level of participation on the part of the recipients; The film is a hot medium, providing a lot of information, so that the recipient's participation is low. Take contemporary local novels and local films as an example, we will find that these two have profound analysis of the transmission of local life conditions and the changes caused by the times and regions to people's psychology, and the contemporary local novels. The expression of artistic emotion, the unique cultural interpretation and the profound historical perception of the local film have reached a perfect fusion, especially the expression of the former about the region, the nation, the times and the development has become the core of the latter. And in this way to enhance the depth of the film art and artistic appeal. The latter adaptation of the current, both follow, inheritance traces, but also in the story, character image, audio-visual and audio-visual re-creation. The process of reprocessing, realized the original meaning, thus played a role in the overall reconstruction. Based on the above understanding, I set out from the personal interest in film art, combined with my recent study of contemporary local novels mainly literary works. This paper makes a preliminary observation and reflection on the interaction between film art and contemporary local novels, and finally chooses "the reconstruction of contemporary local novels by film art" as the research topic of graduation thesis. This paper tries to explore and discuss the situation of contemporary local novels and film art in the mutual blending of the two. This paper tries to focus more on the analysis of how contemporary local novels can be reconstructed by using the scientific and technological means of film art, and how to complement each other and make some beneficial exploration. The main content of this paper is divided into four parts. The first part of the thesis starts with the research background and the present situation, presents the basic ideas and contents, and reveals the significance of the research. The second part focuses on the connotation and development of local novels, and systematically interprets the pluralistic development of Chinese local novels in 17 years, local novels during the "Cultural Revolution", local novels in the new period and local novels in the new period. The third part mainly discusses the relationship between film art and contemporary local novels. Because the film art and the progress of science and technology are inseparable, it plays an important role in transforming the text of contemporary local novels into pictures. Part 4th combs the inheritance and transformation of film art to contemporary local novels on the basis of discussion, mainly through the restoration of narrative, artistic creation, connotation expansion, spiritual picture, media and so on. Some suggestions and thoughts are put forward. The research and exploration made in this paper is one of the sub-topics of the National Social Science Foundation's West China Special Project "Comparative study of New Local narration of Contemporary Literature" in 2011, item No.: 11XZW019.
【學(xué)位授予單位】：西安建筑科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：I207.42;J905

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