本文關(guān)鍵詞：潘虹表演藝術(shù)研究　出處：《重慶大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 潘虹 角色塑造 表演風(fēng)格 電影市場化

【摘要】：潘虹從20世紀(jì)70年代至今一直活躍在中國影視界的銀幕和熒屏上，在某種程度上她已經(jīng)成為了演藝界的符號和象征。她的敬業(yè)精神和奉獻(xiàn)精神，贏得了觀眾和媒體的尊重和好評，也為她贏得了“德藝雙馨常青樹”、“悲劇皇后”、史上“金雞第一人”等榮譽(yù)。潘虹的表演特點(diǎn)具有豐富的表現(xiàn)力和巨大的張力，她塑造了多樣的女性形象，具有鮮明的表演風(fēng)格。潘虹的表演生涯跨度很大，她的表演跨越了中國改革開放至今三十多年的歷程，她的演繹生涯是和我國社會、文化發(fā)展變化息息相關(guān)的，她創(chuàng)造的人物具有鮮明的時(shí)代烙印，她代表了特定階段我國女性形象。 本文從潘虹不同時(shí)期和不同類型的影片中塑造的經(jīng)典人物形象入手，深入挖掘潘虹在電影表演藝術(shù)之路上的成長和變化，從而找到潘虹取得成功的原因所在。同時(shí)，通過對潘虹的表演研究，挖掘潘虹電影表演中人物形象塑造的轉(zhuǎn)型與我國電影市場化之間的關(guān)系。 潘虹是自改革開放后我國首屈一指的銀幕和熒屏上的大青衣，她塑造了很多讓人難以忘懷的角色，陸文婷，李彤，婉容等等。這些角色每一個(gè)都深入人心，，給潘虹演藝事業(yè)帶來了很多的收獲�！氨廊恕钡姆Q號就是對她的肯定。但同時(shí)也給她打上本色演員的印記。潘虹通過電影《股瘋》中人物形象的創(chuàng)作，破除了圈內(nèi)外人們對她的本色演員的認(rèn)識，突破了她本身的性格屏障，使得她從此戲路大改，創(chuàng)作出了許多具有鮮明性格的人物形象。這中間的過程和原因，本文將結(jié)合中國電影發(fā)展進(jìn)行研究分析。研究潘虹的電影表演藝術(shù)和她獨(dú)特的電影表演風(fēng)格轉(zhuǎn)變經(jīng)歷，結(jié)合中國電影發(fā)展變革時(shí)期的電影演員轉(zhuǎn)型塑造，進(jìn)行一個(gè)全面的剖析。縱向研究潘虹從影經(jīng)歷及表演技巧的成熟過程，橫向研究中國電影市場的發(fā)展變革對演員表演轉(zhuǎn)型的影響，同時(shí)探討本色表演和性格表演在電影表演中的重要性。
[Abstract]:Pan Hong has been active on the screen and screen of Chinese film and television since 1970s. To a certain extent, Pan Hong has become the symbol and symbol of the performing arts, her professionalism and dedication. Won the audience and the media's respect and praise, but also for her won the "Deyi Shuangxin evergreen tree", "the tragedy queen." In the history of "Golden Rooster the first person" and other honors. Pan Hong's performance characteristics have rich expressive power and great tension, she has created a variety of female images, has a clear performance style. Pan Hong's performance career span is very large. Her performance has spanned more than 30 years of reform and opening up in China, her interpretation career is closely related to the social and cultural development of our country, she created characters with a distinctive brand of the times. She represents a specific stage of our female image. This article starts with the classic characters created by Pan Hong in different periods and different types of films, and deeply excavates the growth and changes of Pan Hong on the road of film performing art. At the same time, through the study of Pan Hong's performance, the relationship between the transformation of character image in Pan Hong's film performance and the marketization of film in our country is explored. Pan Hong is China's leading screen and screen since the reform and opening up since the big green clothes, she created a lot of unforgettable characters, Lu Wenting, Li Tong, Wanrong, and so on. Each of these roles are deeply rooted in the hearts of the people. Pan Hong's acting career has brought a lot of gains. The title of "sad Beauty" is a recognition of her. But it also gives her the impression of a real actress. Pan Hong created the characters in the movie "the Crazy of the Stock". In addition to the circle of people inside and outside the understanding of her real character, broke through her own personality barrier, so that she has changed the way from the drama, created a lot of characters with a clear personality, and the process and reasons. This article will combine the Chinese movie development to carry on the research analysis, studies Pan Hong's film performance art and her unique film performance style transformation experience, unifies the Chinese movie development transformation time movie actor transformation mold. A comprehensive analysis. Longitudinal study of Pan Hong film experience and performance skills of mature process, horizontal study of the development and transformation of the Chinese film market on the actor performance transformation. At the same time, this paper discusses the importance of original performance and character performance in film performance.
【學(xué)位授予單位】：重慶大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J912

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